\documentclass[DIV=12,%
               BCOR=0mm,%
               headinclude=false,%
               footinclude=false,open=any,%
               fontsize=11pt,%
               oneside,%
               paper=210mm:11in]%
               {scrbook}






\usepackage[noautomatic]{imakeidx}



\usepackage{microtype}
\usepackage{graphicx}
\usepackage{alltt}
\usepackage{verbatim}
\usepackage[shortlabels]{enumitem}
\usepackage{tabularx}
\usepackage[normalem]{ulem}
\def\hsout{\bgroup \ULdepth=-.55ex \ULset}
% https://tex.stackexchange.com/questions/22410/strikethrough-in-section-title
% Unclear if \protect \hsout is needed. Doesn't looks so
\DeclareRobustCommand{\sout}[1]{\texorpdfstring{\hsout{#1}}{#1}}
\usepackage{wrapfig}

% avoid breakage on multiple <br><br> and avoid the next [] to be eaten
\newcommand*{\forcelinebreak}{\strut\\*{}}

\newcommand*{\hairline}{%
  \bigskip%
  \noindent \hrulefill%
  \bigskip%
}

% reverse indentation for biblio and play

\newenvironment*{amusebiblio}{
  \leftskip=\parindent
  \parindent=-\parindent
  \smallskip
  \indent
}{\smallskip}

\newenvironment*{amuseplay}{
  \leftskip=\parindent
  \parindent=-\parindent
  \smallskip
  \indent
}{\smallskip}

\newcommand*{\Slash}{\slash\hspace{0pt}}


% http://tex.stackexchange.com/questions/3033/forcing-linebreaks-in-url
\PassOptionsToPackage{hyphens}{url}\usepackage[hyperfootnotes=false,hidelinks,breaklinks=true]{hyperref}
\usepackage{bookmark}

\usepackage[english,shorthands=off]{babel}
\babelfont{rm}[Path=/usr/share/fonts/truetype/cmu/,%
 BoldFont=cmunbx.ttf,%
 BoldItalicFont=cmunbi.ttf,%
 ItalicFont=cmunti.ttf]{cmunrm.ttf}
\babelfont{tt}[Scale=MatchLowercase,%
 Path=/usr/share/fonts/truetype/cmu/,%
 BoldFont=cmuntb.ttf,%
 BoldItalicFont=cmuntx.ttf,%
 ItalicFont=cmunit.ttf]{cmuntt.ttf}
\babelfont{sf}[Scale=MatchLowercase,%
 Path=/usr/share/fonts/truetype/cmu/,%
 BoldFont=cmunsx.ttf,%
 BoldItalicFont=cmunso.ttf,%
 ItalicFont=cmunsi.ttf]{cmunss.ttf}



\renewcommand*{\partpagestyle}{empty}


% global style

\pagestyle{plain}




\usepackage{indentfirst}

% remove the numbering
\setcounter{secnumdepth}{-2}

% remove labels from the captions
\renewcommand*{\captionformat}{}
\renewcommand*{\figureformat}{}
\renewcommand*{\tableformat}{}
\KOMAoption{captions}{belowfigure,nooneline}
\addtokomafont{caption}{\centering}







\deffootnote[3em]{0em}{4em}{\textsuperscript{\thefootnotemark}~}


\addtokomafont{disposition}{\rmfamily}
\addtokomafont{descriptionlabel}{\rmfamily}


\frenchspacing
% avoid vertical glue
\raggedbottom

% this will generate overfull boxes, so we need to set a tolerance
% \pretolerance=1000
% pretolerance is what is accepted for a paragraph without
% hyphenation, so it makes sense to be strict here and let the user
% accept tweak the tolerance instead.
\tolerance=200
% Additional tolerance for bad paragraphs only
\setlength{\emergencystretch}{30pt}

% (try to) forbid widows/orphans
\clubpenalty=10000
\widowpenalty=10000





% given that we said footinclude=false, this should be safe
\setlength{\footskip}{2\baselineskip}
\setlength{\parindent}{15pt}

\title{Eugene O'Neill's Life and Works}
\date{7\Slash{}26\Slash{}95}
\author{}
\subtitle{}






% https://groups.google.com/d/topic/comp.text.tex/6fYmcVMbSbQ/discussion
\hypersetup{%
pdfencoding=auto,
pdftitle={Eugene O'Neill's Life and Works},%
pdfauthor={},%
pdfsubject={},%
pdfkeywords={The UNABOM Investigation}%
}


\begin{document}









  \begin{titlepage}


  \strut\vskip 2em
  \begin{center}

  {\usekomafont{title}{\huge Eugene O'Neill's Life and Works\par}}%
  \vskip 1em
  
  \vskip 2em
  
  \vskip 1.5em



   
   \vfill



  
  {\usekomafont{date}{7\Slash{}26\Slash{}95\par}}%
  


  \end{center}


     \end{titlepage}
     
     \cleardoublepage





\tableofcontents
% start a new right-handed page

\cleardoublepage




X AIRTEL


7\Slash{}26\Slash{}95

\bigskip
\noindent
 \begin{minipage}[t]{\textwidth}
\begin{tabularx}{\textwidth}{|X|X|}
\hline
\relax  TO:  &  SAC, San Francisco (149A-SF-106204)\forcelinebreak (Attn: UNABOM Task Force)   \\
\relax  FROM:  &  SAC, CIRG (149A-SF-106204) (P)   \\
\relax  SUBJECT:  &  UNABOM;\forcelinebreak MAJOR CASE 75;\forcelinebreak 00: SF   \\
\hline
\end{tabularx}
\end{minipage}
\bigskip


Reurairtel to the Director dated 6\Slash{}13\Slash{}95.


Enclosed are three documents entitled "O'Neill Time Line", "Significant Dates in the Life and Times of O'Neill", and a xerox copy of the index from the book \emph{O'Neill} by Arthur and Barbara Gelb (Harper and Row, 1973).


\emph{O'Neill}, by the Gelb's, is considered by many to be the definitive biography of playwright EUGENE O'NEILL. The book was reviewed by SSA James A. Wright of the Investigative Support Unit (ISU), Critical Incident Response Group (CIRG), for any significant dates, events, characters (real or fictional), or symbolism which might correspond to the UNABOM subject's activities.


There are no obvious correlations between captioned investigation and EUGENE O'NEILL'S life or works. However, there are some issues which can be topics of speculation.


3 - San Francisco



\begin{quote}


(1 - 149A-SF-106204) (Enc. 3)



\end{quote}



\begin{quote}


(1 - SSA Fitzgerald) (Enc. 3)



\end{quote}



\begin{quote}


(1 - SA Puckett) (Enc. 3)



\end{quote}


2 - Bureau



\begin{quote}


(2 - IT\Slash{}GRC, CID) (Enc.3)



\end{quote}


2 - CIRG (149A-SF-106204) (Enc. 3)
\forcelinebreak JAW\Slash{}meo
\forcelinebreak (7)


IR (149A-SF-106204)


\begin{itemize}
\item\relax 
O'NEILL was born in a hotel at Longacre Park in New York City. In 1904, the park was renamed Times Square in honor of the \emph{New York Times}, the UNABOM subject's preferred media contact.



\item\relax 
The color green is a dominant color at Tao House, O'NEILL'S California home. Also, one source is quoted as saying "\dots{} the worst thing - from James and Ella's point of view - that Eugene ever did as a child was to pour a can of green paint over a box of shiny, metal statuettes depicting James as Edmond Dantes." This statement was made in regard to a young Eugene's rebelliousness, particularly toward his father whose major role as an actor was as Edmond Dantes in \emph{The Count of Monte Cristo.}



\item\relax 
In the summer of 1907, O'NEILL became friends with BENJAMIN TUCKER, owner of a book shop in New York and a well-known anarchist who wrote and published several anarchist writings. At that time, most of O'NEILL'S friends and associates "dabbled" with anarchy, as did much of the literary and artistic community. By the end of World War I, O'NEILL had become indifferent about politics and social movements.



\item\relax 
O'NEILL attended Princeton University for only one year. In his plays he would later express disdain for college and college life. However, it is also noted that he insisted his son go to Yale, payed for his education, and donated considerable money to Yale.




\end{itemize}

The ISU can find no obvious connection between the UNABOM subject and playwright EUGENE O'NEILL which would explain his continued use of O'NEILL postage stamps. It is possible that he feels a kinship with O'NEILL because of what he views as similar, tragic lives. It is obvious that the O'NEILL stamp, if not O'NEILL himself, has importance to the UNABOM subject. However, what that importance is may only be known and make sense to the UNABOM subject.



\bigskip

\chapter{Significant Dates in the Life and Times of O’Neill}

\bigskip
\noindent
 \begin{minipage}[t]{\textwidth}
\begin{tabularx}{\textwidth}{|X|X|}
\hline
\relax  \textbf{\emph{DATE}}  &  \textbf{\emph{EVENT}}   \\
\relax  08\Slash{}13\Slash{}57  &  O'Neill's mother, ELLA QUINLAN (tn Mary Ellen Quinlan) was born at New Haven, Conn.   \\
\relax  09\Slash{}10\Slash{}78  &  Brother JAMES O'NEILL, JR., was born.   \\
\relax  03\Slash{}04\Slash{}85  &  O'Neill's brother, EDMUND, died of measles after contracting the disease from his brother, Jamie. Their mother was on tour with their father and the children were left in the care of Ell's mother in New York. Ella carried the guild for the rest of her life and also blamed Jamie. Jamie was sent (exiled) to a boarding school where he remained for the next nine years.   \\
\relax  10\Slash{}16\Slash{}88  &  EUGENE GLADSTONE O'NEILL was born in room 236 of the Barrett Hou\^{}e Hotel, at Broadway and 43rd Street in New York.   \\
\relax  10\Slash{}16\Slash{}00  &  O'Neill entered De La Salle Institute in Manhattan, New York, and lived at home with his mother.   \\
\relax  09\Slash{}20\Slash{}06  &  O'Neill entered Princeton University.   \\
\relax  October, 1909  &  O'Neill married Kathleen Jenkins.   \\
\relax  05\Slash{}05\Slash{}10  &  EUGENE O'NEILL, JR. was bom. O'Neill found out about the birth of his child from the newspaper. He did not visit mother or child and, to get him out of town, his father took him on tour. He left his father's tour in Boston to go to sea.   \\
\relax  07\Slash{}05\Slash{}12  &  Divorce was granted to Kathleen by Judge Joseph Morschauser at White Plains, New York.   \\
\relax  10\Slash{}11\Slash{}12  &  Final divorce decree.   \\
\relax  11\Slash{}15\Slash{}12  &  He was diagnosed as having pleurisy.   \\
\relax  November, 1912  &  The diagnosis was later changed to tuberculosis.   \\
\relax  12\Slash{}09\Slash{}12  &  James took O'Neill to the Fairfield County State Tuberculosis Sanitarium in Shelton, Conn. Even though all who knew the O'Neill's assumed he was being taken to a private hospital, this was a state hospital for the indigent.   \\
\relax  12\Slash{}11\Slash{}12  &  O'Neill left the sanitarium and returned to New York where he persuaded his father to put him in a private hospital, Gaylord Farm, at Wallingford, Conn.   \\
\relax  12\Slash{}25\Slash{}12  &  O'Neill arrived at Gaylord Farm.   \\
\relax  06\Slash{}03\Slash{}13  &  O'Neill left Gaylord Farm and returned to New London. On advice of his doctors, he relaxed the rest of the summer.   \\
\relax  03\Slash{}30\Slash{}14  &  O'Neill signed a contract to publish his first book of plays - \emph{Thirst and Other One Act Plays.}   \\
\relax  September, 1914  &  O'Neill enrolled in Harvard to study drama under GEORGE PIERCE BAKER.   \\
\relax  11\Slash{}03\Slash{}16  &  O'Neill's first play produced at The Playwrights' Theater was \emph{Bound East for Cardiff.}   \\
\relax  04\Slash{}06\Slash{}17  &  The United States entered World War I.   \\
\relax  October, 1917  &  AGNES BOULTON, a writer of short stories for pulp magazines, was introduced by a mutual friend from The Playwrights' Theater.   \\
\relax  11\Slash{}04\Slash{}17  &  O'Neill's first public attention came with a feature article about him in \emph{The Times} drama section.   \\
\relax  04\Slash{}12\Slash{}18  &  O'Neill married Agnes at Provincetown.   \\
\relax  10\Slash{}30\Slash{}19  &  SHANE RUDRAIGHE O'NEILL was bom. He was named after an Irish king known as Shane the Proud.   \\
\relax  02\Slash{}03\Slash{}20  &  O'Neill's first Broadway production opened: \emph{Beyond the Horizon} at the Morosco Theater.   \\
\relax  02\Slash{}10\Slash{}20  &  James suffered a stroke and was hospitalized. While in the hospital he was diagnosed with intestinal cancer. Eugene was distraught and spent as much time as possible at his bedside.   \\
\relax  06\Slash{}03\Slash{}20  &  O'Neill was awarded a Pulitzer Prize for \emph{Beyond the Horizon.}   \\
\relax  08\Slash{}10\Slash{}20  &  James O'Neill died in a hospital at New London, Conn. His last several weeks, O'Neill was at his bed side. O'Neill expressed to friends that he was grateful he had a successful play his father could be proud of before he died.   \\
\relax  02\Slash{}16\Slash{}22  &  Jamie wired from California that Ella was ill and doctors thought she had a brain tumor.   \\
\relax  02\Slash{}28\Slash{}22  &  Ella died in California. Jamie started drinking again.   \\
\relax  May, 1922  &  For the first time O'Neill met his 12 year old son, Eugene, Jr., before leaving New York. O'Neill and his son liked each other and O'Neill invited him to spend some time in Provincetown.   \\
\relax  5\Slash{}21\Slash{}22  &  The Pulitzer Prize was awarded for \emph{Anna Christie.} Since its inception the prize had only been awarded to four plays, two of them O'Neill's.   \\
\relax  11\Slash{}8\Slash{}23  &  Jamie died in a sanitarium (probably from alcohol poisoning).   \\
\relax  5\Slash{}15\Slash{}24  &  \emph{All God's Chilian Got Wings} opened at the Provincetown Playhouse.   \\
\relax  6\Slash{}1\Slash{}24  &  The 1923 Gold Medal for Drama was awarded to O'Neill by the National Institute of Arts and Letters.   \\
\relax  5\Slash{}14\Slash{}25  &  Agnes gave birth to a girl they named OONA, the Irish translation of Agnes   \\
\relax  Fall, 1925  &  At the urging of friends, O'Neill underwent psychoanalysis under the care of Dr. Gilbert V. Hamilton, to cure himself of alcoholism.   \\
\relax  June, 1926  &  O'Neill was awarded an honorary degree of Doctor of Letters from Yale University.   \\
\relax  07\Slash{}01\Slash{}26  &  . The O'Neill's moved into a rented cabin on one of the Belgrade Lakes in Maine.   \\
\relax  November, 1927  &  O'Neill returned to New York and would never return to Bermuda to live.   \\
\relax  January, 1928  &  O'Neill moved to France with Carlotta Monterey.   \\
\relax  01\Slash{}30\Slash{}28  &  \emph{Strange Interlude} opened on Broadway and became O'Neill's biggest hit to that time. It played on Broadway for 17 months and 414 performances before going on tour. It was eventually made into a movie. O'Neill won a third Pulitzer Prize for the play.   \\
\relax  07\Slash{}01\Slash{}29  &  Agnes O'Neill filed for divorce in Reno, Nevada, charging O'Neill with desertion.   \\
\relax  07\Slash{}02\Slash{}29  &  The divorce was granted.   \\
\relax  07\Slash{}22\Slash{}29  &  O'Neill married Carlotta Monterey in a civil ceremony at Paris, France.   \\
\relax  06\Slash{}15\Slash{}31  &  Eugene, Jr. married ELIZABETH GREEN of Forest Hills, Long Island. (O'Neill did not attend.)   \\
\relax  10\Slash{}27\Slash{}31  &  \emph{Mourning Becomes Electra} opened on Broadway.   \\
\relax  10\Slash{}02\Slash{}33  &  \emph{Ah, Wilderness,} a comedy, opened.   \\
\relax  01\Slash{}08\Slash{}34  &  \emph{Days Without End} opened in New York.   \\
\relax  August, 1936  &  The O'Neill's moved to the Seattle area.   \\
\relax  11\Slash{}12\Slash{}36  &  O'Neill was notified he had been awarded the Nobel Prize in literature.   \\
\relax  Mid-Dec., 1936  &  The O'Neill's left Seattle for San Francisco.   \\
\relax  12\Slash{}29\Slash{}36  &  O'Neill was operated on for acute appendicitis in a San Francisco hospital.   \\
\relax  2\Slash{}17\Slash{}37  &  The Swedish consul in San Francisco awarded the Nobel prize to O'Neill in a very short ceremony in his hospital room.   \\
\relax  Late October, 1937  &  The O'Neill's moved into their new house on 158 acres in Danville, 35 miles from San Francisco. They named the house Tao House (Chinese translation: The right way to life)   \\
\relax  Summer, 1939  &  He began work on \emph{Long Day's Journey Into Night.}   \\
\relax  06\Slash{}08\Slash{}39  &  O'Neill abandoned his project and began work on \emph{The Iceman Cometh.}   \\
\relax  11\Slash{}26\Slash{}39  &  \emph{The Iceman Cometh} was completed.   \\
\relax  Summer, 1939  &  O'Neill started writing \emph{Long Day's Journey Into Night.}   \\
\relax  End of 1940  &  \emph{Long Day's Journey Into Night} was finished.   \\
\relax  Summer, 1941  &  He completed \emph{Long Day's Journey Into Night.}   \\
\relax  1943  &  O'Neill wrote his last play, \emph{A Moon for the Misbegotten.}   \\
\relax  Spring, 1943 O'Neill finished \emph{A Moon for the Misbegotten,} a play about his brother, Jamie.  &    \\
\relax  06\Slash{}17\Slash{}43  &  O'Neill read that Oona (age 18) had married Charlie Chaplin (age 54) at Santa Barbara, California. O'Neill never mentioned Oona's name again. They never saw each other again though Oona tried reconciliation several times.   \\
\relax  11\Slash{}16\Slash{}45  &  Shane and his wife Catherine (Givens) had a son they named Eugene O'Neill, III. O'Neill never saw his grandson.   \\
\relax  11\Slash{}29\Slash{}45  &  O'Neill delivered the manuscript of \emph{Long Day's Journey Into Night} to his publisher where it was sealed and an agreement signed that stipulated the play would not be published for 25 years after his death.   \\
\relax  02\Slash{}10\Slash{}46  &  O'Neill's grandson died and there was evidence of child neglect. O'Neill never saw Shane again.   \\
\relax  10\Slash{}09\Slash{}46  &  \emph{The Iceman Cometh} opened on Broadway. It was the first original O'Neill play to be produced in 13 years. It was last of his plays to be produced in his lifetime.   \\
\relax  January, 1948  &  Carlotta was becoming increasingly put out at O'Neill's social life. She left him and moved into a mid-town hotel.   \\
\relax  04\Slash{}19\Slash{}48  &  O'Neill was discharged from the hospital. He and Carlotta agreed to move to Boston and return to a secluded life.   \\
\relax  08\Slash{}20\Slash{}48  &  Shane was arrested for possession of heroin. There was no further contact between father and son.   \\
\relax  09\Slash{}25\Slash{}50 •  &  Eugene, Jr. committed suicide.   \\
\relax  02\Slash{}05\Slash{}51  &  O'Neill left his house after dark, fell, broke his leg, and lay in the snow for an hour. Carlotta had been on medication and was disoriented. They were both hospitalized in Salem, Mass. Carlotta's condition was caused by bromide intoxication which was not diagnosed for some time. Doctors believed she was mentally disordered and moved her to a private psychiatric hospital, McLean Hospital, in Belmont, Mass.  \\
\relax  03\Slash{}23\Slash{}51  &  O'Neill filed a petition in court in Salem stating that Carlotta was "an insane person and incapable of taking care of herself."   \\
\relax  03\Slash{}29\Slash{}51  &  McLean Hospital released Carlotta after correctly diagnosing her problem as bromide poisoning. The same day, Carlotta filed a petition for separate maintenance charging O'Neill with cruelty.\forcelinebreak \forcelinebreak Friends encouraged O'Neill to return to New York where they could care for him. He left Boston on the day Carlotta was released from the hospital and entered a small private hospital in the city.   \\
\relax  05\Slash{}17\Slash{}51  &  The O'Neill's were reunited and moved into the Shelton Hotel in Boston.   \\
\relax  05\Slash{}28\Slash{}51  &  O'Neill signed a new will giving everything to Carlotta and explicitly cutting off Oona and Shane.   \\
\relax  03\Slash{}03\Slash{}52  &  O'Neill had lawyers draw up a literary trust giving Carlotta ownership and control over all of his works.   \\
\relax  10\Slash{}16\Slash{}53  &  O'Neill tried to walk without help. He fell, got back into bed and never got out of it again.   \\
\relax  11\Slash{}27\Slash{}53  &  O'Neill died in his hotel suite in Boston.   \\
\relax  12\Slash{}02\Slash{}53  &  O'Neill was buried in Forest Hills Cemetery in Boston in a very private service.   \\
\relax  February, 1956  &  \emph{Long Day's Journey Into Night} was published by a different house on the insistence of Carlotta.   \\
\relax  1968  &  Agnes died.   \\
\relax  11\Slash{}18\Slash{}70  &  Carlotta died of arteriosclerotic coronary thrombosis.   \\
\relax  11\Slash{}28\Slash{}70  &  Carlotta was buried next to O'Neill.   \\
\hline
\end{tabularx}
\end{minipage}
\bigskip



\bigskip

\chapter{Extracts from the book O'Neill by Arthur and Barbara Gelb}

\section{Title Page}


O'NEILL


ARTHUR \& BARBARA GELB


UNC1SC0, LONDON


HARPER \& ROW • PUBLISHERS



\bigskip

\section{Publisher Details}


The first edition of \emph{O’Neill} was originally published by Harper \& Row in 1962.


Part of the material on O’Neill as a young man in New London first appeared in \emph{Horizon,} March i960, under the title "The Start of a Long Day’s Journey.” o'nbii.l. Copyright © i960, 1962, 1973 by Arthur and Barbara Gelb.


All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced id any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information address Harper \& Row, Publishers, Inc., 10 East 53rd Street, New York, N.Y. 10022. Published simultaneously in Canada by Fitzhenry \& Whiteside Limited, Toronto.


Library of Congress Cataloging in Publication Data


Gelb, Arthur, 1924-


O’Neill.


1. O’Neill, Eugene Gladstone, 1888-1953. •


I. Gelb, Barbara, joint author.


PS3529.N5Z653 1974 812’.5’2 [B] 73-6760


ISBN 0—06-011487-8



\bigskip

\section{Chronological Table of O'Neill's Published Plays}


(See \emph{individual titles in Index for additional data)}

\bigskip
\noindent
 \begin{minipage}[t]{\textwidth}
\begin{tabularx}{\textwidth}{|X|X|X|}
\hline
\relax  TITLE  &  YEAR WRITTEN  &  DATE AND PLACE OF FIRST\forcelinebreak NEW YORK PRODUCTION   \\
\relax  A Wife for a Life Thirst  &  1913-1914  &  Unproduced   \\
\relax  Thirst  &  1913-1914  &  (Wharf Theatre, Provincetown, summer, 1916)   \\
\relax  The Web  &  1913-1914  &  Unproduced    \\
\relax  Warnings  &  1913-1914  &  Unproduced   \\
\relax  Fog  &  1913-1914  &  The Playwrights’ Theatre, Jan. 5, 1917    \\
\relax  Recklessness  &  1913-J914  &  Unproduced   \\
\relax  Bound East for Cardiff  &  1913-1914  &  The Playwrights’ Theatre, Nov. 3, 1916   \\
\relax  Servitude  &  1913-1914  &  Unproduced   \\
\relax  Abortion  &  1913-1914  &  Unproduced   \\
\relax  The Sniper  &  1915  &  The Playwrights’ Theatre, Feb. 16, 1917   \\
\relax  Before Breakfast  &  1916-1917  &  The Playwrights’ Theatre, Dec. 1, 1916   \\
\relax  The Movie Man  &  1916-1917  &  Unproduced   \\
\relax  'Ile  &  1916-1917  &  The Playwrights’ Theatre, Nov. 30, 1917   \\
\relax  In the Zone  &  1916-1917  &  Comedy Theatre, Oct. 31, 1917   \\
\relax  The Long Voyage Home  &  1916-1917  &  The Playwrights’ Theatre, Nov. 2, 1917   \\
\relax  The Moon of the Caribbees  &  1916-1917  &  The Playwrights’ Theatre, Dec. 20, 1918    \\
\relax  The Rope  &  1918  &  The Playwrights’ Theatre, Nov. 22, 1918   \\
\relax  The Dreamy Kid  &  1918  &  The Playwrights’ Theatre, April 26, 1918    \\
\relax  Beyond the Horizon  &  1918  &  The Playwrights’ Theatre, Oct. 31, 1919   \\
\relax  Where the Cross is Made  &  1918  &  Morosco Theatre, Feb. 2, 1920    \\
\relax  Chris Christopherson  &  1919  &  (Atlantic City, March 8, 1920)   \\
\relax  The Straw  &  1918-1919  &  Greenwich Village Theatre, Nov. 10, 1921   \\
\relax  Gold  &  1920  &  Frazee Theatre, June 1, 1921   \\
\relax  Anna Christie  &  1920  &  Vanderbilt Theatre, Nov. 10, 1921   \\
\relax  The Emperor Jones  &  1920  &  The Playwrights’ Theatre, Nov. 3, 1920   \\
\relax  Diff'rent  &  1920  &  The Playwrights’ Theatre, Dec. 27, 1919   \\
\relax  The First Man  &  1921  &  Neighborhood Playhouse, March, 4, 1922   \\
\relax  The Hairy Ape  &  1921  &  The Playwrights’ Theatre, March 9, 1922   \\
\relax  The Fountain  &  1921-1922  &  Greenwich Village Theatre, Dec. 10, 1925   \\
\relax  Welded  &  1922-1923  &  39th Street Theatre, March 17, 1924    \\
\relax  All God's Chillun Got Wings   &  1923  &  Provincetown Playhouse, May 15, 1924   \\
\relax  Desire Under the Elms  &  1924  &  Greenwich Village Theatre, Nov. n, 1925   \\
\relax  Marco Millions  &  1923-1925  &  Guild Theatre, Jan. 9, 1928   \\
\relax  The Great God Brown  &  1925  &  Greenwich Village Theatre, Jan. 23, I91   \\
\relax  Lazarus Laughed  &  1925-1926  &  (Pasadena, Cal., April 9, 1928)   \\
\relax  Strange Interlude  &  1926-1927  &  John Golden Theatre, Jan. 30, 1928   \\
\relax  Dynamo  &  1928  &  Martin Beck Theatre, Feb. 11, 1929   \\
\relax  Mourning Becomes Electra   &  1929-1931  &  Guild Theatre, Oct. 26, 1931   \\
\relax  Ah, Wilderness!  &  1932  &  Guild Theatre, Oct. 2, 1933   \\
\relax  Days Without End   &  1932-1933  &  Guild Theatre, Jan. 8, 1934   \\
\relax  A Touch of the Poet   &  1935-1942  &  Helen Hayes Theatre, Oct. 2, 1958    \\
\relax  The Iceman Cometh  &  1939  &  Martin Beck Theatre, Sept. 2, 1946    \\
\relax  Long Day's Journey Into Night  &  1939-1941  &  Helen Hayes Theatre, Nov. 7, 1956    \\
\relax  Hughie  &  1941-1942  &  Royale Theatre, Dec. 22, 1964   \\
\relax  A Moon for the Misbegotten  &  1943  &  Bijou Theatre, May 2, 1957    \\
\relax   More Stately Mansions  &  Unfinished  &  Broadhurst Theatre, Oct. 31, 1967   \\
\hline
\end{tabularx}
\end{minipage}
\bigskip



\bigskip

\section{Index}


Abbey Theater, 172, 784, 811


Abel, Walter, 569-570 \emph{Abortion,} 116, 118, 137138, 140, 250


\emph{Abraham Lincoln,} 445 Academy of Dramatic Arts


(London), 504


Academy of Music (Cleveland), 15, 24


Academy of Music (N.Y.), 35, 105


Actors Association (England), 548


Actors Fund, 35


Actors’ Strike (1919), 405


Actors’ Theatre, 618 620


Adams, Franklin, 267, 755


Adams, John, 372


Adams, Major, 170 \emph{Adventures of Gerard, The,} 106


Aeschylus, 847


\emph{Ah, Wilderness!,} 87, 88, 9°, 91, 92, 120, 131, 205, 206, 211, 218, 280, 353, 436, 741, 742, 756, 762, 768, 775-776, 777, 79i, 836, 866 cast of, 769-771 and Long \emph{Day’s Journey,} 81-86


opening of, 772-774 \emph{Alabama,} 271


\emph{Alchemist, The,} 600


Alderson, Erville, 406 Alexander, Steve, 865, 887 Alexander, Mrs. Steve, \emph{see}


Weingarten, Shirlee "Alexander’s Ragtime


Band,” 776


Algood, Sara, 172


\emph{All God's Chillun Got Wings,} 10, 87, 233234, 4°o, 534-536, 538, 543, 545, 560, 561, 57L 57\textsuperscript{2}» 578, \emph{All God's Chillun Got Wings (Contd)} 592, 619, 646, 653, 716-717, 757, 782, 836, 880 cast of, 547-548 controversy over, 547 ff. opening of, 553'557


Allen, Viola, 128, 141 American Academy of Arts and Letters, 559


\emph{American King, An,} 47 \emph{American Magazine,} 146 \emph{American Mercury, The} (magazine), 534, 545, 547


\emph{American Spectator, The} (magazine), 594, 766


Ames, Winthrop, 374 \emph{Anarchist Woman, An,} 287


\emph{Anathema! Litanies of Negation,} 641, 642


\emph{Anatol,} 567


\emph{Ancient Mariner, The,} 525, 546, 551, 557


\emph{And Give Me Death,} 803, 823, 826, 854


Anders, G'enn, 650, 687 Anderson, Frederick, 207 Anderson, Maxwell, 575, 589, 654, 802, 810


Anderson, Sherwood, 283, 328, 597-598, 766, 786, 794 795, 797, 810


Andreyev, Andrei, 526 Andreyev, Leonid, 306 \emph{Angel Intrudes, The,} 344 Anglin, Margaret, 62, 104, 106, 271


\emph{Anna Christie,} 126-127, 157, 160, 161, 170, 290-291, 362, 389, 397, 422, 435, 439, 441, 451, 452, 465, 471, 484, 485, 486, 487, 489, 491, 492,


\emph{Anna Christie (Cont.)}


499, 501, 5\textsuperscript{22}> 523, 538, 590, 619, 630, 631, 646, 653, 729, 783, 936


cast of, 476-477


opening of, 478-483


Pulitzer Prize for, 482, 508


as silent movie, 482, 717


as talkie, 482, 720


\emph{see also Chris Christopherson}


Anna Christie (cat), 474, 478


\emph{Annie Get Your Gun,} 878 \emph{Another Part of the Forest,} 886


ANTA Playhouse, 936


Anti-Tuberculosis Society


of New Haven, 226 Apollo Theatre (Atlantic


City), 416


Appledorn, Angenetta, 207


\emph{Arbeiterzeitung,} 298


Arch Street Theatre (Philadelphia), 25


Archer, William, 522, 761


Armstrong, Louis, 708, 898 Arnold, Edward, 405, 406, 413


Arnold, George, 14


Arnold Constable, 35


Aronberg, Winfield, 860861, 869, 874, 905, 9i9, 927, 929, 932


\emph{Article} 47, 36


As Yom \emph{Like It,} 103


Ashe, Beatrice, 265, 266


268, 279, 280, 301


Ashe, Peter, 267


“Ashes of Orchids,” 156


Associated Press, 684, 685, 839


Astor family, 97


Astor Place Opera House (New York), 27


Astor Place riot, 27


\emph{Athenian Women, The,} 344


Atkins, Zoe, 501


Atkinson, Brooks, 47, 802, 888, 899, 929, 930


and \emph{Ah, Wilderness!,} 774 and \emph{Before Breakfast,} 322 and Carlotta, 756, 945 f. and \emph{Days Without End,} 780-781


and \emph{Dynamo,} 687


and Eugene’s slang, 87 first meeting of, 638 and \emph{Great God Brown,} 592-593


and \emph{Iceman Cometh,} 875 and \emph{Lazarus Laughed,} 603


and \emph{Marco Millions,} 654 and \emph{Moon of the Carib- bees,} 327


and \emph{Mourning Becomes Electra,} 743-744, 745, 752


and \emph{Strange Interlude,} 660-661


Atlantic House (Provincetown), 327, 474


\emph{Atlantic Queen} (ship), 157 \emph{Atrocity, 280,} 345 \Slash{}Xustin, Leslie, 256-257 \emph{Avenue,} \emph{The,} 340


\emph{Bab,} 422, 424, 442


Bache, Jules S., 618


\emph{Back} \emph{to Methuselah,} 428, 632


Badger, Richard C., 257258


Baker, George Pierce, 282, 525, 547


and \emph{Beyond the Horizon,} 389, 390, 413


and \emph{Bound East for Car}\emph{diff,} 334


and Carlotta, 756-757 death of, 793-794 and Eugene’s Yale degree, 603-604 playwriting course of, 140, 263, 264, 265, ?69-27o, 271-272, 273, 274, 275, 278, 280281, 375


and \emph{Strange Interlude,} 73°


Baker, Mrs. George Pierce, 793


Baldwin Theatre (San Francisco), 43


\emph{Ballad of Reading Gaol, The,} 119


"Ballad of the Birthday of the Most Gracious of Ladyes,” 229-230


“Ballad of the Seamy Side,” 168-169


Ballantine, E. J. “Teddy,” 3TO, 318, 323, 388, 424-425, 452, 453, 456, 471, 472, 504, 5i7


Ballantine, Mrs. E. J. (Stella Comminsky), 323, 454


Bandbox Theatre (N.Y.), 305, 326


\emph{Banker's Daughter, The,} 44 Banton, Joab H., 575-576, 674


Bara, Theda, 342


\emph{Barbarians,} 344


Barclay Hotel (N.Y.), 859860


Barnes, A. C., 383


Barnes, Djuna, 888


Barnes, Howard, 875-876


Barr, Mrs. Eric, 207


Barrett, Lawrence, 56


Barrett House (Cadillac


Hotel) (N.Y.), 55, 56, 57, 58, 65, 86


Barrie, James M., 482, 754


Barry, Philip, 654, 753


Barrymore, Ethel, 128, 405, 618, 880-881


Barrymore, John, 59-60, 375, 383, 388, 389, 405, 406, 452, 507, 514, 565, 582, 584, 592, 649


Barrymore, Lionel, 375, 383, 389, 4°5, 452, 471, 489, 490, 584, 590, 649, 774


Barrymore, Maurice, 885


\emph{Bartender’s Guide,} 296, 439


Barton, Homer, 738, 739


Barton, James, 863, 874


Barton, Ralph, 613-615, 656, 669, 696, 706707, 736-739, 74o, 765, 852


Barton, Mrs. Ralph \emph{see} O’Neill, Mrs. Eugene (Carlotta)


Basshe, Em Jo, 641


Basso, Hamilton, 117, 155, 796-797, 887


Bates, Blanche, 104


Batson, Alfred, 681-683, 684


Baudelaire, Charles, 122, 359


\emph{Bavu,} 501, 502


Beaux Arts restaurant, 391


Beck, Martin, 373


Becker, Charles, 173 “Bedelia,” 86, 771


Beerbohm, Lady (Elisabeth Junge- mann), 757


Beery, Wallace, 774


\emph{Before Breakfast,} 140, 313, 320, 321-322, 323, 326, 381


Begg, Jeanie, 456


Beggar \emph{on Horseback,} 653


Behrman, S. N., 654, 748, 753-754, 810, 825-826, 861 '


Belardi, Jenny, 317, 383


Belasco, David, 44, 45, 46, 128, 374, 455, 458, 485, 572-573, 575, 576, 589, 599


Belasco Theatre (N.Y.), 342


Bellows, George, 124, 128, 129-130, 283


\emph{Belshazzar,} 272


Ben (dog), 827-828


Ben-Ami, Jacob, 449, 507, 543, 544, 545


\emph{Ben Hur,} 318


Benavente, Jacinto, 340


Benchley, Robert, 661, 688, 753


Bennett, Arnold, 652-653


Bennett, Constance, 405


Bennett, Joan, 405


Bennett, Justice, 695


Bennett, Richard, 375, 405406, 410, 413, 424


Bentley, Eric, 899


Bergen, Louis, 296-297


Bergner, Elisabeth, 715


Bergson, Henri, 600


Berkeley, Bishop, 21 Berkeley Hotel (London), 666


Berkeley Theatre (N.Y.), 229


Berkman, Alexander, 120121, 330, 384, 473


Berlin, Irving, 318, 846, 877-878


Berlin, Mrs. Irving, 877-878 Bermuda, 573-575, 582, 598, 599, 623-627, 632, 636-639, 640, 656, 670, 717-718, 805, 936


Bernhardt, Sarah, 177 Berry, Joan, 851-852


Betts, William, 76, 77, 78 Betts Academy, 73, 75 ff.


Beyond \emph{the Horizon,} 231, 370, 374, 375, 376, 386, 417, 419, 422, 423, 427, 430, 482, 484, 485, 488, 507, 522, 538, 539. 547, 577, 579, 619, 659, 729, 836


and Bennett, 405, 410, 413, 424-425


and Carlotta, 502 casting of, 388, 405, 406 Cchan and, 770 and Kalonvme, 473 opening of, 406-413 plot of, 334'337, 377'379 publication of, 523


Pulitzer Prize for, 5, 508 and sea motif. 157, 160 scenery for, 406, 470-471 title for, 334 and tuberculosis, 235, 335


and Williams, John, 380, 387, 389, 39°, 396, 397 398, 405-406, 412


Woollcott and, 407, 408- 411, 658


\emph{Bill of Divorcement, A,} 633 Bird, Claire, 912-914, 917- 919, 920


Bird \emph{of Paradise, The,} 504 Bisch, Louis, 573-574, 581, 595-596


Bisch, Mrs. Louis, 573 Blair, Mary (Mrs. Edmund


Wilson), 454-455, 456, 495, 50i, 502, 547, 548, 549, 550, 55i, 552, 555, 556, 569, 646


Blake, William, 656


\emph{Blast, The} (pamphlet), 384 Blemie (dog), 714, 736, 745, 747-748, 751, 795, 827 828, 829, 836, 837-838


\emph{Blind Alleys,} 340-341 Blinn, Holbrook, 255 Block, Ralph, 341 “Blow the Man Down,” 150


Boccaccio, Giovanni, 246


Bodenheim, Maxwell, 283, 344, 346, 361, 396


\emph{Bohemian Girl, The,} 209


Bolton, Guy, 342


Bondy, William, 730


Boni, Albert, 305, 319, 395-396


Boni, Charles, 305, 319


Boni and Liveright, 233, 395, 412, 443, 466, 482, 523-524, 732


\emph{Bookman, The} (magazine), 258. 394, 463


Booth. Edwin, 17, 25-30, 37, 47, 56, 84, 813


Booth, Mrs. Fdwin (Mary McVicker), 26


Booth, John Wilkes, 26 Booth, Junius Brutus, 26 Booth’s Theatre (N.Y.), 47, 49


Borden, Lizzie, 437-438


Boston \emph{Globe,} 527


Boston \emph{Herald,} 780


Boston \emph{Post,} 112, 942


Boston \emph{Sunday Herald,} 511


Boston \emph{Sunday Journal,} 83, 96, 97


Boston \emph{Transcript,} 636, 780 Boucicault, Aubrey, 452 Boucicault, Dion, 22, 23, 24, 34, 452


Boulton, Agnes, \emph{see} O’Neill, Mrs. Eugene (Agnes)


Boulton, Cecil, 694


Boulton, Edward William, 364, 625


\emph{Bound East for Cardiff,} 4, 153, 156 157, 260, 308, 309, 320, 326- 327, 34i, 373, 567, 570


opening of, 310, 318-319 Bowen, Croswell. 664, 833 Boyce, Neith (Mrs.


Hutchins Flapgood), 304, 3°6, 307, 308, 309, 3\textsuperscript{J}9> 320


Bovd, Ernest, 766


Boyden, Mary Ellen, 801- 802


Brady, Alice, 465, 649, 746, 747-748, 75i, 777


Brady, Diamond Jim, 125 Brady, William A., 575- 576, 747, 75i


Brahan, Elorace, 373


\emph{Brand,} 277


\emph{Bread and Butter,} 253, 261


\emph{Breakfast in Bed,} 407


Brennan, Agnes, 94, 123- 124, 500, 501, 741, 925


Brennan, Elizabeth Quinlan, 51, 93


Brennan, Josephine


McGlyn, 66, 94 Brennan, Lil, 82, 93-94, 264, 436, 500, 741 Brennan family, 92-94, 483-484


Breuer, Bessie, 627, 655, 710


Brevoort Hotel (N.Y.), 283, 364


\emph{Brigadier Gerard,} 106 \emph{Broadway Melody, The,} 7i9


Broadway Theatre (N.Y.), 104


Brockman, Mrs., 42


Brook Farm (Conn.), 515- 517, 538, 541-543, 557-559, 560, 589- 59°, 599, 603, 663, 734, 805


Brooklyn \emph{Eagle,} 547, 548 Brooklyn Theatre (N.Y.), 36


Brooks, Van Wyck, 328, 329


\emph{Brothers Karamazov, The,} 525, 562


Broun, Heywood


and \emph{All God's Chillun,} 555-\^{}56


and Baker’s class, 273- 274


and \emph{Beyond} \emph{the Horizon,} 408, 410


and Dempsey-Carpentier fight, 463


and \emph{Desire Under the}


\emph{Elms,} 570


and \emph{Emperor Jones,} 446- 447


and \emph{Gold,} 471


and \emph{Moon of the Carib- bees,} 389


and Provincetowners,


Broun, Heywood (Cent.) 326, 385, 407, 546


and \emph{Rope,} 380


and \emph{World,} 479, 498, 544, 545


Brown, John Mason, 87, 252, 269, 480, 752, 781, 876, 888


Brown, Robert, 298


Brown, Shanghai, 167 Browne, Maurice, 493 Brunowe, Marion J., 66-67 Bryant, Louise


(Mrs. John Reed, Mrs. William C. Bullitt), 301-302, 319, 329, 338, 345, 357, 361, 442


and Agnes, 364, 365, 366, 372


and \emph{Beyond the Horizon,} 334-335


and Bullitt, 801


death of, 801-802


and Frank, 328, 329 marriages of, 323, 801 as playwright, 309, 310, 3M, 3i8


and Reed, 309, 310, 311312., 323-324, 330-331, 371, 443, 802


and Russia, 371 Buenos Aires, 152-153, 154, 155-156, 158, 160


Bullitt, William C., 801


Bullitt, Mrs. William C., \emph{see} Bryant, Louise


Burgess, Florence R., 228, 483


Burt, Frederic, 304, 309 Burton, Barbara (daughter


of Agnes), 364, 370, 386, 510-511, 572, 609-610, 617


Burton, Richard, 427


\emph{By Way of Obit,} 843, 854 Byram, John, 712


Byron, George Gordon, 88, i47


Bywater, Hector C., 610


Cibell, James Branch, 766 Cadenas, Frances, 531-532, 533


C'dillac Hotel (Barrett House) (N.Y.), 871


Cahill, Holger, 345, 346, 366


California Theatre (San


Francisco), 46-47 "Call, The,” 213-214 \emph{Call, The} (magazine), 33i, 358


\emph{Calms of Capricorn, The,} 790, 79i> 792, 799, 829, 854


Cambias. Henry, 131 Campbell, Alexander, 98, 532


Campbell, Jack, 717 Campbell, Mrs. Patrick, 128, 310, 550


Canary Islands, 727-728 \emph{Candida,} 358, 406 Canfield, Dick, 173 Capalbo, Carmen, 947 ff. Cap d’Ail, 686-687, 690 Cape, Jonathan, 518 Capone, Al, 830 Carberg, Warren, 942 Carey, Albert B., 934 Carlin, Terry, 319, 324, 368, 710


and \emph{Anarchist Woman,} 287


background of, 286-294 and brother Jim, 287-289 and Catholicism. 289 and \emph{Chris Christopherson,} 420


in Greenwich Village, 286, 292-293, 350, 459


and Holliday, 367


and Jamie, 530 and Marie, 290-291 in Pittsburgh, 287-288 and Provincetown, 308, 309, 310, 332, 475476, 509-510, 658


and Shane, 510 Carnegie Institute of Tech


nology Drama School, 454


Carnovsky, Morris, 646 Carpenter, Bruce, 274-275, 278


Carpentier, Georges, 463 Carroll, Earl, 501 Casa Genotta, 759-761, 765-768, 776, 784, 786-787, 793, 794 ff., 822


Casey, Anne, 860


Casey, Walter, 860, 889890


Castiglia, Peter, 868-869


\emph{Catcher in the Rye, The,} 851


Cather, Willa, 611


Catholic Actors Guild, 770


\emph{Catholic Worker, The,} 361


Catholic Writers Guild, 780 Catholicism, 68-69, 71-74, 75, 121-122, 139. 237, 289, 359, 420, 468469, 542, 762, 763764, 776-777, 779, 780, 784-785, 856, 922


\emph{Century Girl, The,} 318


Century Theatre (N.Y.), 223, 240


Cerf, Bennett, 767, 768, 836, 861-862, 878, 929, 93i


Cerf, Mrs. Bennett, 878 \emph{Chains of Dew,} 494, 513 Chaliapin, Feodor, 603 \emph{Chambermaid’s Diary, A,} 119


\emph{Change Your Style,} 307, 312


Chaplin, Charles, 445-446, 614, 850, 851-852


Chapman, Cynthia (daughter of Carlotta), 502, 663, 922-923


Chapman, John, 739, 875


Chapman, M. C., 502, 504 Chapman, Mrs. M. C.


\emph{see} O’Neill, Mrs.


Eugene (Carlotta)


Chappell family, 94 \emph{Charles Racine} (ship), 146-152, 160, 189


Chase, Ilka, 503-504, 614, 7i3, 759, 766, 777, 797


Chase, Stanley, 947 ff.


Chekhov, Anton, 277, 306, 522, 754


\emph{Cherry Orchard, The,} 352 Chicago \emph{Record Herald,} . \textsuperscript{178}


Chicago \emph{Tribune,} 479 \emph{Childe Harold,} 88, 147 \emph{Children of the Sea,} 260 Childs, Edward, 422


\emph{Chris Christopherson,} 389, 390, 39i, 396-397, 398, 415-416, 418420, 421, 422, 423, 425, 435-436, 484, 649, 783


\emph{see also Anna Christie Christians, The,} 104


Christine’s restaurant, . CN.Y.), 392, 459


Christophe, Henri, 439


Christopherson, Chris, 170


\emph{Chu Chin Chow,} 342 Circle in the Square


CN.Y.), 863, 874


City Center CN.Y.), 899, 936


Claire, Ina, 405


\emph{Clarence,} 422


Clark, Barrett, 196, 270, 341, 376. 4°5> 411> 466, 545, 628, 636, 823, 861


Clark Champ, 201


Clark, Mary A., 229-230, 231, 260, 533, 809


Clarke, Bill, 297-298, 439, 53i> 532, 659, 710


Clarke, Fred, 532


Clarke, Mrs. George “Gaga,” 509-510, 598, 694, 695


\emph{Claw, The,} 489, 501


Claxton, Kate, 36


Clemenceau, Georges, 442


\emph{Cleopatra,} 342-343


Cleveland, Ohio, 12, 15, 16


\emph{Close the Book,} 342, 343


Clurman, Harold, 750, 936


\emph{Coblenz} Cship), 685, 686


\emph{Cocaine,} 326


Coghlan, Charles, 103


Cohalan, Daniel F., 731, 733


Cohan, George M., 128, 653, 769-770, 77b 774, 775-776, 860


Cohen, Alexander H., 862863, 946


Colbert, Claudette, 688


Coleman, Robert, 875


Coleridge, Samuel Taylor, 546


\emph{Colleen Bawn, The,} 22


Collinge, Patricia, 446


Collins, Charles "Hutch,” 85-86, 319, 323, 342, 343, 344, 385, 388, 389


Colum, Padraic, 583


Colum, Mrs. Padraic, 583


Columbia Gardens saloon (N.Y.), 345, 460


Comedy Theatre CN.Y.), 326


Commins, Eugene, 711


Commins, Saxe


and Carlotta, 675, 686, 711, 924


at Casa Genotta, 796


as editor, 651, 768, 831, 861


and Eugene’s accident, 889, 890


and Eugene’s illness, 914, 924, 929, 930-931 family of, 323, 453-454 and \emph{Hairy Ape,} 497, 498 and marriage of Eugene and Carlotta, 696-697


and Oona, 930


and Provincetown Players. 323 Commins, Mrs. Saxe


(Dorothy), 696, 711, 864, 929, 930


Comminsky, Lena, 453-454 Comminskv, Stella


(Mrs.' E. J. Ballantine), 323, 454


\emph{Commonweal,} 782


Congreve, William, 21, 24, 562


Connell, Leigh, 863 Connelly, Marc, 653, 753 “Conning Tower,” 267, 755


Connor, Frank, 434 Conrad, Joseph, 79-80, 90, 112, 146, 259, 262, 35i


\emph{Constancy,} 306-307 \emph{Contemporaries,} 307, 312 \emph{Convict Stripes,} 569 Cook, George Cram “Jig,”


33i> 4°7


background of, 303-304 and \emph{Bound East for Cardiff,} 309-310


and \emph{Change Your Style,} 307


death of, 537-538


and Ellis, 344


and \emph{Emperor Jones,} 440441, 444-445, 447' 448


and \emph{Gold,} 359


and Provincetown Players, 314-315, 316, 317, 323. 324. 332, 333. 342, 343, 344, 345, 380, 383, 384, 441, 492-494, 513-514, 524-525, 546


Cook, George Cram “Jig” \emph{(Cont.)}


and Reed, 308, 314-315, 538


and \emph{Spring,} 492, 493 and \emph{Suppressed Desires,} 306-307, 308, 319


and Susan, 303, 304 and \emph{Tickless Time,} 388 and Washington Square


Players, 304


and Wharf Theatre, 307, 308


Cook, Mrs. George Cram, \emph{see} Glaspell, Susan


Cook, John, 314


Cook, Mrs. John, 314 \emph{Copperhead, The,} 375 Corbin, John, 544, 545, 556, 570, 662


Cordova, Bienzi de, 340 Corelli, Marie, 112-113 Cornell, Katharine, 340341, 618, 633, 649


Corrigan, Emmett, 397, 398, 416, 418


\emph{Corsican Brothers, The,} 47 Cort Theatre (N.Y.), 546 Corwin, Norman, 720 \emph{Cosmopolitan} (magazine), 705, 745


Coughlin, Sally, 932 \emph{Count of Monte Cristo,}


\emph{The,} 48-50, 51, 52, 54, 56, 59, 61, 82, 99, 104, 106, 107, 116, 123, 128, 141, 142, 172-173, I74> 175 ff-> 214, 229, 274, 310, 313, 414, 415, 430, 431, 451-452


Coward, Noel, 688 Cowl, Jane, 776 Cowley, Malcolm, 150, 460-461, 482, 542543


Cowley, Mrs. Malcolm, 542


Crabtree, Paul, 864


\emph{Craig’s Wife,} 653


Crane, Frank, 40


Crane, Hart, 542 Crawford, Cheryl, 749, 750 Crawford, F. Marion, 141 Crichton, Kyle, 785 \emph{Crime in the} \emph{Whistler}


\emph{Room, The,} 567 Criterion Theatre (N.Y.), 413


Critics Circle Award, 802


Croak, Jack, 439


Crocker House, 97, 98-99, 203, 217, 531


Croker, Richard, 124, 284 Crothers, Rachel, 257, 318, 576


Crouse, Lindsay Ann, 895 Crouse, Russel, 773, 780, 784, 796-797. 799, 813, 838, 841, 842, 845, 877-878, 892, 895, 897, 921, 923, 926, 929, 930, 934935


Crouse, Mrs. Russel, 877


Crowley, Harry, 338, 339, 4i5


Cullman, Howard S., 618


Culver, Mildred, 207, 211


212, 221, 265, 266


Curran, One Lung, 300 \emph{Current Opinion} (magazine), 482


\emph{Curse of the Misbegotten, The,} 664


Cushman, Charlotte, 25


Dale, Alan, 341, 502, 570


Daly, Augustin, 35, 36 Dana, Dr., 898, 908-910, 911-912, 920


\emph{Dance of Death, The,} 233234, 520


Danforth, J. Romeyn, 207 Danger, 501, 502 \emph{Danicheffs, The,} 37, 38 Darrow, Clarence, 766 Davis, Richard Harding, 262


Day, Cyrus, 631, 833


Day, Dorothy, 358-362, 366, 367-368


\emph{Days Without End,} 3, 69, 72, 74, 675, 722, 761, 762-765, 768-769, 775 ff., 836


casting of, 769-770, 777778


opening of, 780-783


Dazey, Charles, 47


\emph{Dear Doctor, The,} 272 Debs, Eugene V., 202, 265 \emph{Decameron, The,} 246, 247 De Casseres, Benjamin, 121, 226, 636, 637, 639, 640, 641, 642, 672, 675, 678, 680, 686, 689, 691, 692,


De Casseres, Benjamin (Cent.) 697, 711, 724, 726, 738, 782-783


De Casseres, Mrs. Benjamin (Bio), 639, >640-641, 691, 692, 694, 696, 697, 711, 738, 782 ■ \emph{Decline of the} West, \emph{The,} 897


Deeter, Jasper, 421-422, 445. 847


De Foe, Louis, 479, 484 Dekker, Albert, 646 Delaney, James J., 695-696 De La Salle Institute, 72, 73 \emph{Deliverer, The,} 223


Dell, Floyd, 318, 344, 356, 358, 442


Delmonico, Lorenzo, 38 Delmonico’s restaurant, (N.Y.), 35, 38


De Maupassant, Guy, 88 De Mille, Cecil B., 45 Dempsey, Jack, 463-464, 638


Demuth, Charles, 284, 304, 362, 367


De Polo, Harold, 327-328, 617-618


\emph{Deserted Village, The,} no, 111


\emph{Desire Under the Elms,} 377-378, 538, 539-541. 543. 547. 557, 558, 560, 562, 563, 567, 574, 592, 609, 619, 631, 653, 659, 688, 698, 716, 718-719, 755, 762, 800, 836, 880, 886, 936, 949 casting of, 568-570 controversy over, 575-578 opening of, 570-572


Detroit \emph{Times,} 883 Deutsch, Babette, 283 \emph{Devil's Disciple, The,} 104 \emph{Devil’s Glow, The,} 371 De Voto, Bernard, 811-812 Dickens, Charles, 88 \emph{Diff’rent,} 157, 230, 435, 436, 437, 438, 441, 451, 452, 453, 466, 485, 491, 495, 523, 526-527, 550 casting of, 454'455 openings of, 448, 456


Digges, Dudley, 646, 687, 761, 863


Dillingham, Charles, 342 “Dirty Bricks of Buildings,” . \textsuperscript{301} .


\emph{Discovery of America, The,} 469


Ditrichstein, Leo, 140


Doctors Hospital (N.Y.), 920 ff.


Dodge, Mabel, 283, 302, 306, 391, 392, 393394, 565


Dolan, John, 91, 705


\emph{Dollar, The,} 324


Don Juan of Austria, 847


Donnelly, Gerard B., 780


D’Orsay, Fifi, \emph{see} Clarke, Mrs. George


Dorsey, Thomas F., 98, 198


Dostoevski, Fedor, 79, 233, 276, 277


Douglas, Kirk, 872


Dowd, Harrison, 720


Dowling, Eddie, 856, 863, 866-867


Downes, Olin, 112, 150


Dowson, Ernest, 122


Doyle, Arthur Conan, 106 Drama League, 448-449 Draper, George, 890


\emph{Dreamy Kid, The,} 381, 399-400


Dreiser, Theodore, 286, 299, 328, 493, 597, 598, 728, 729, 766, 795. 807


Drew, Mrs. John, 25, 56


Drew, Mrs. Tuwe, 685


Drinkwater, John, 445 Driscoll (fireman), 163, 165-166, 171, 186, 488


Dukes, Charles A., 819-820, 821


Dumas, Alexandre, 88, 104


Duncan, Augustin, 492


Duncan, Isadora, 492


Dunn, James, 882, 884


Dunnigan's \emph{Daughter,} 861


Dunsany, Lord, 305


Du Pont family, 205


Du Rhin Hotel (Paris), 726


\emph{Dynamo,} 561, 589, 638, 663, 667, 669, 671, 678-680, 689-690, 762, 781, 836 opening of, 687-688 story of, 675-677


Eagles, Jeanne, 390


Eames, Claire, 446


Earl Carroll Theatre (N.Y.), 572


\emph{Earth's the Limit, The,} 791, 792, 854


\emph{Easiest Way, The,} 128


East \emph{Lynne,} 34, 36 Eastman, Max, 283, 305, 356, 358, 442, 900


Eastman, Mrs. Max, \emph{see} Rauh, Ida


Eaton, Walter Pritchard, 427


Ebel, August, 269, 278 Ebel, Bartel, 269, 278 Ebel, Mrs. Bartel (Katherine Hiebert), 269, 278


Ego \emph{and His Own,} 121 Einstein, Albert, 930-931 Eliot, T. S., 396 Elizabeth, Mother, 14 Elkins, “Pinky,” 278 Ell, I 342, 343, 362363, 388


Ell, Mrs. Lewis (Christine), 362-363, 364-365, 367, 420, 445


Ellis, Charles, 343, 344, 380, 388, 445, 454, 493. 569


Ellis, Havelock, 262, 766 Ellsler, John, 24, 33 Emerson, Ralph W., 84, 88 \emph{Emperor ]ones, The,} 189, 230, 381, 400, 435, 442, 444, 448, 451, 452, 454, 456, 466, 470, 485, 489, 491, 495. 496, 522, 523. 551, 555, 557, 577, 619, 651, 652, 659, 677, 711, 717, 720, 729, 761, 782-783


background For, 135, 203, 277, 438-441


casting of, 445-446, 449- 45o


movie version of, 761 opening of, 446-447 operatic version of, 724725


\emph{Enemies,} 319


Erdmann, Dr., 424


\emph{Erstwhile Susan,} 375 Ervine, St. John, 409, 417, 577, 687-688, 753-754


Essex, Evelyn, 82, 85 Euripides, 540


Euthanasia Society of America, 900


Evans, Olive, 215-218, 220, 221-223, 237, 265, 266


\emph{Exorcism,} 188, 189, 280, 421, 422


“Eyes,” 345


Eyster, Mrs. James, 42


Fairfield County State Tuberculosis Sanitarium, 221-223, 224


\emph{Famous Convent School, A,} 66 67


Famous Players Film Co., 214


Farley, James E., 916, 917 Farnum, William, 396, 397, 398, 451, 452


Farquhar, George, 21, 24, 84


\emph{Fashion,} 543. 545, 546, 569


Faulkner, William, 396


Faure, Elie, 348


Faust, Lotta, 79, 731-732 Faversham, William, 446 Fechter, Charles, 48 Fenwick, Irene, 501 Ferber, Edna, 751 Ferguson, Elsie, 501 Fernandez, Bijou, 106 Fernandez, William “Spanish Willie,” 460-463


Feuillet, Octave, 306


Feydeau, Georges, 407 Field, Marshall, 618 Fifth Avenue Theatre (N.Y.), 103, 104


Film Cafe (N.Y.), 346 Findlater-Byth, James, 178, 179, 186


Finley, John, 559


Fire \emph{Linder the Andes,} 626


Firpo, Luis Angel, 463 \emph{First Man, The,} 93, 465, 466-468, 471, 482, 485, 487. 492, 498, 522, 523, 646 opening of, 496-497


Fisk, Shirley, 890, 891, 920, 926. 927-928, 929. 934


Fiske, John, 469


Fiske, Minnie Maddern, 375


Fitch, Clyde, 272


Fitzgerald, Barry, 882


Fitzgerald, F. Scott, 20, . \textsuperscript{457}


Fitzgerald, Mary Eleanor “Fitzi,” 383-384, 444. 493, 494, 498, 513, 514, 526, 561, 587588, 611, 701, 710, 889


Fitzsimmons, Bob, 78


\emph{Flame, The,} 831


Flynn, Elizabeth Gurley, 283


Fog, 157, 250, 251-252, 254, 323, 326


Foley, Dan, 295


Fones, Byram, 206


Fones, Mrs. Byram


(Arlene Scott), 206, 207, 208-209, 741


Fontanne, Lynn


(Mrs. Alfred Lunt), 416, 418, 569, 649650, 658


For \emph{the Defense,} 405, 406, 412, 413


Forbes, James, 143


Ford, Colin, 272


Fordham University, 65


Fordham University Players, 603


Forrest, Edwin, 17, 23, 25, 27, 65, 142


Forsyte Saga, \emph{The,} 798 \emph{Fountain, The,} 157, 189, 381, 469-470, 471, 472, 485, 507, 512513, 514, 515, 520, 522, 524, 526, 527, 534, 543, 560, 561, 574, 583, 586, 589, 59°, 591, 592, 653


\emph{Fourth Estate, The, 140} France, Anatole, 67-68 Francis, John, 331-332, 333, 338, 370, 380, 39°, 392


Frank, Florence Kiper, 385 Frank, Waldo, 328-329, 852


“Fratricide,” 245


Frazee Theatre (N.Y.),


47i


Frazer, James George, 469, 599


Frederick, Pauline, 240, 243, 256, 265, 532


“Free.” 145, 189, 210


\emph{Freedom,} 308, 319


Freeman, Herbert, 796, 842


Freud, Sigmund, 306, 396, 577, 600


Friars Club, 229


F'ick, Henry Clay, 120-121


Friede, Donald, 597, 652


Friede, Mrs. Donald, 597


Frith, Hezekiah, 625


Frohman, Charles, 374, 375


Fr >hman, Daniel, 104, 214


Frost, Robert, 328, 611,


900


Fulton Theatre (N.Y.), 322


G \emph{A. M.,} \emph{The,} 280, 345


Gable, Clark, 761


Gabriel, Gilbert, 593, 654, 661, 687, 752-753, 781


Gag’s Ewd, 847


Gale, Zona, 508


Gallant, Barney, 555


Galsworthy, John, 374, 375, 638, 652-653, 754. 798


Game, \emph{The,} 310, 318


Ganey, Joseph “Doc,” 88, 89, 95, 124, 203, 206, 236, 589, 887


Gans, L lis, 786


Garbo, Greta, 482, 720


Garden Hotel (N.Y.), 294295, 296-297, 298, 380, 439, 659, 843


\emph{Garden} \emph{of Allah,} 240


Garland, Hamlin, 427, 508


Garland, Robert, 751, 781, 876


Garrick Theatre (N.Y.), 593


Gavlord Farm (Conn.), 223, 224 ff., 382, 483, 5i5, 9°o


\emph{Gee} \emph{Pusaleml,} 385


Gemier, Firmin, 523


Geneva Hall (cafe), 452


Cenn, Leo, 872


\emph{Gentle Furniture Shop, The,} 344


George \emph{Dandin,} 546, 551


George M. Cohan Theatre (N.Y.), 572


Gershwin, George, 756


G rshwin, Ira, 756


Gt st, Morris, 342, 561, 572


\emph{C}\emph{'tting Married,} 318


G.bson, Charles Dana, 131


Gierow, Karl Ragnar, 862, 941


Gilbert, George, 682


Gilbert, John, 56


Gilbert, Ruth, 771, 866


Gilbert \& Sullivan, 56 Gilhuly’s saloon, 866-867


Gillette, William,, 340


Gilmore, Margalo, 468, 483, 646 . 1


Gilpin, Charles S., 445, 447. 448-45o> 485, 568, 720


Gilpin, William G., 133


Girard, George E., 911 Gish, Lillian, 208, 569, 643. 705. 707. 7i7, 718, 743, 776, 788, 891


Given, Eben, 227, 462, 472, 473. 474, 492, 502503. 5C7, 508, 509, 515, 517


Givens, Catherine, see O’Neill, Mrs. Shane


Glaspell, Susan


(Mrs. George Cook), 306, 307, 319, 365, 494. 513, 537, 7io, 753


and Agnes, 370


and \emph{Close the Book,} 342, 343


and Cook, 303, 546


and \emph{Emperor Jones,} 440- 44i


and Peaked Hill Bar. 729 and Provincetown Players, 317, 345, 492-493 and \emph{Road to the Temple,} 309, 310


and \emph{Tickless Time,} 388


and Verge, 493


and Washington Square Plavers, 304


and \emph{Woman's Honor,} 380


\emph{Glass Menagerie, The,} 327 \emph{Glencairn} plays, 157-158, 159-162, Ib6, 260, 395, 567-568, 570, 619. 831, 899


\emph{Glittering Gate, The,} 305 \emph{Gold,} 157, 189, 382, 398, 421, 422, 427-428, 435- 441, 451, 452, 465, 469, 470-471, 472. 485, 491, 496, 516, 523, 619, 760


Gold, Michael, 358, 360, 500


Goldberg, Isaac, 391, 636, 637, 783


\emph{Golden Bough, The,} 469, 599-600


Golden Eagle restaurant, 494


Golden Swan hotel, \emph{see} Hell Hole


Goldman, Emma, 120-121, 245, 283, 298, 323, 330, 362, 384, 453, 473


Goldsmith, Oliver, 24, no Goldwyn, Sam, 830 \emph{Good Bad Woman, A,} 575-576


\emph{Good Gracious, Annabelle,} 318


“Good Night,” 301 Goodman, Edward, 306, 373. 421


Goodman, Melvin, 912 Gordon, Max, 373, 859-860 Gorham Press, 257


Gorki, Maxim, 162, 276, 277, 283, 499, 652, 802-803, 810


Gotham Book Mart, 258 Grace, Carol, 841, 850 851 Granville-Barker, Harley, 754


Gray’s \emph{Anatomy,} 736 \emph{Great God Brown, The,} io n, 55, 87, 89, 362, 381, 496, 528, 560, 562, 573, 576, 582, 584, 589, 59i. 594-595, 598-599, 600, 619, 653, 659, 688, 740, 746, 760, 788, 836 casting of, 592 opening of, 592-593 theme of, 578-581


\emph{Great Pacific} War, \emph{The,} 610


\emph{Greed of the Meek, The,} 803, 826, 854


Green, Elizabeth


(Mrs. Eugene O’Neill, Jr-), 742


Green, Paul, 602, 654, 750, 753


\emph{Green Flat, The,} 633 Green Room Club, 139, 452


Greenwich Village, 282 ff., 317 ff-, 343 ff-> 35°, 356 ff.


Greenwich Village Theatre, 484, 557, 561-562, 567, 569, 570, 572., 574, 584, 586, 588- 589, 599, 618, 637, 653


Gregory, Lady, 172 Griffith, William, 482-483 Grimm’s Fairy Tales, 857 Group Theatre, 750 Gruenberg, Louis, 724-725 Grundy, Sidney, 104 \emph{Guardsman, 7 he,} 647 Guethary, 668-669, 672- 673, 674-675, 679


Guild Theatre (N.Y.), 645, 647, 652, 751, 753, 773


Guillaume Sam, 439 Guiterman, Arthur, 688 Gustaf, King of Sweden, 807


Hackett, William, 141


\emph{Hair of the Dog, A,} 792, 854


\emph{Hairy Ape, The,} 87, 145, 15°, ’57, \textsuperscript{I}6o> 165, 166, 171, 272, 334, 352, 469, 478, 482, 485, 491, 493-496, 504-505, 5i3, 522, 523, 544, 569, 571, 613, 619, 646, 651, 659, 662-663, 676, 712, 715, 757, 762 casting of, 489-490, 492, 494-495, 501-502 controversy over, 507-508 movie version of, 718, 7’9, 857-858 openings of, 497, 498- 499, 502-503 story of, 488-489, 499- 500


Hale, Louise Closser, 406 \emph{Half Moon, The,} 446 Halley’s Comet, 138 Halper, Emma, 237 Hamilton, Clayton, 258- 261, 263-264, 326, 414, 416-417, 799, 838-839, 879


Hamilton, Mrs. Clayton (Gladys), 258, 259, 879


Hamilton, Gilbert V., 596- 597, 611-612, 630-631


Hamilton, Henry, 104


\emph{Hamlet,} 27, 352, 754


Hammarskjdld, Dag, 709, 862


Hammond, Percy, 479, 484, 498-499, 544, 545, 555, 57o, 593, 654, 661, 687, 751- 752, 774, 781


\emph{Hand of the Potter, The,} 493


Hapgood, I lutchins, 287, 288, 291, 303, 304, 306, 307, 309, 319, 730


Hapgood, Mrs. Hutchins, \emph{see} Boyce, Neith


Harding, Ann, 649, 746- 747


Hardy, Thomas, 410


\emph{Harem, The, 575}


Harkness, Edward Stephen, 91-92, 604


Harlow, Jean, 858


\emph{Harper's Bazaar} (magazine), 625


\emph{Harper's Weekly,} 339


Harrigan, Ned, 592


Harrigan, William, 592


Harris, Sam, 452


Harte, Bret, 36


Hartford \emph{Times,} 202


Harvard Club, 622


Harvard University, 75,


269 If., 603-604, 605


Hasenclever, Walter, 526, 562


\emph{Haunted, The,} 702, 739, 745, 75i


Hauptmann, Gerhart, 585, 652, 757-758, 766


Hauptmann, Frau Gerhart, 757


Havel, Hippolyte, 298-299, 3’1, 359, 361, 459, 831


Hawthorne, Louise, 31-32, 33, 40, 41


Hayes, Helen, 390, 405, 422-423, 424, 425, 442, 569, 885 “Haymarket, The,” 125 Haymarket club (N.Y.), 125, 127


Hays, Alan, 730, 732


Hays, Arthur Garfield, 732


Hays, Blanche, 495-496 Haywood, Big Bill, 283, 301


Hearst, William Randolph, 97


Hecht, Ben, 326


Hedgerow Theatre (Philadelphia), 421-422


Heidt, Joe, 226, 738, 739, 740-741, 755, 860, 884, 929


Helburn, Theresa, 575, 633, 635-636, 650-651, 659, 687, 697, 708, 747, 812, 821, 846, 857, 884


Held, Anna, 129


\emph{Helicon, The,} 663


Hell Hole, 284-286, 292, 293, 296, 298, 299, 301, 345, 346-347, 349, 350, 356-357, 359, 360, 361, 365, 367, 457-458, 472, 543, 831


Hellman, Lillian, 886


Hemingway, Ernest, 396 Henry Miller’s Theatre (N.Y.), 780


Flepburn, Katharine, 857, 858


Herbert, Victor, 128, 318 Flergesheimer, Joseph, 797 \emph{Hermit and His Messiah,}


\emph{The,} 380


Hettman, Frederick, 154, \textsuperscript{155}


Hewitt, John, 107, 108, 109, 414


Heyer, Harold, 215


Heyward, Du Bose, 646


Heyward, Mrs. Du Bose (Dorothy), 646


\emph{Hiawatha,} 200-201


Hick’s soda fountain, 886 Hiebert, Daniel, 269, 278, 280, 400, 531


\emph{Hippolytus,} 540


\emph{His Family,} 426


\emph{His Widow's Husband,} 340


\emph{History of the American Drama, A,} 636


Hitler, Adolf, 779, 830, 849, 856


Hoboken Trinity Church, 133


\emph{Hobson's Choice,} 375


Hofmannsthal, Hugo von, 652


Holliday, Judy, 880


Holliday, Louis, 119-120, 124, 130, 283, 299,


Holliday, Louis \emph{(Cont.')} 3”, 319, 367-368, 389, 833


Holliday, Polly, 283, 298299. 3”. 320, 346, 361, 367


Holmes, John Haynes, 576


Holmes, Oliver Wendell, 611, 799


\emph{Homecoming,} 702, 739, 751


Homestead Strike, 120


Honduras, 133, 134-137, 232


\emph{Honor Among the Bradleys,} 388


Hooley, Richard, 31


Hopkins, Arthur, 374, 478, 485, 489, 514, 567, 599, 888


and \emph{Anna Christie,} 471472, 476, 477. 480


and Carlotta, 501-502 and \emph{Count of Monte}


\emph{Cristo,} 451


and \emph{First Man,} 487


and \emph{Fountain,} 507, 515, 522, 524, 526, 561


and \emph{Hairy Ape,} 492, 494, 501-502


and Jelliffe, 565


and \emph{Redemption,} 383


Horace Liveright, Inc., 396, 597, 651, 652, 703, 73i, 733


Horton, Ralph, 113-114, 115


Horwitz, William H., 917


“Hound of Heaven, The,” 359360, 362


\emph{House} \emph{of Connelly,} 750


Hovey, Carl, 263


Hovey, Mrs. Carl (Sonya), 263


Howard, Bronson, 43, 44, 140


Howard, Faith, 207


Howard, Leslie, 446


Howard, Mildred, 207


Howard, Sarah, 42


Howard, Sidney, 525, 571572, 575. 576, 647, 653. 753


Huber, Joel, 626


Huber, Mrs. Joel, 626


Hi idson Dusters, 284, 299301, 346, 460


Hudson Theatre (N.Y.), 128


Hughes, Arthur, 749


Hughes, Elinor, 780 \emph{Hughie,} 88, 285, 297, 843844, 847, 854


Hugo, Victor, 88 \emph{Hunted, The,} 702, 739, 75i '


Huntington Hotel (San Francisco), 853


Hurok, Sol, 460


Hurst, Fannie, 262


Huston, Walter, 539, 568569, 590, 71b 7i9> 888


Hylan, Mayor (N.Y.), 549, 553


Ibsen, Henrik, 104, 112, 261, 276, 277, 340, 361, 522, 746, 754, 757, 761


\emph{Iceman Cometh,} \emph{The,} 87, 127, 178, 456, 594, 659, 77b 785, 79i, 834, 835, 836-837, 838, 839, 843, 847, 848, 855-856, 859, 860, 861, 864, 865, 869-870, 871, 873, 886, 888, 895-9, 947 background for, 170-171, 186, 285-286, 296, 297, 298, 368, 457, 459, 831 casting for, 863 controversy over, 885 opening of, 866, 874-877 story of, 831-833


\emph{Idiot, The,} 233


\emph{Ikalis} (ship), 158, 159-161, 163


\emph{’He,} 97, 157, 314, 326, 344, 366, 395


In \emph{Abraham’s Bosom,} 602, 654


In \emph{Old Kentucky,} 47


In \emph{the Zone,} 151, 153, 157, 326-327, 329, 373, 374, 387, 567, 59b 859 opening of, 340-341 Industrial Workers of the


World, 156


\emph{Informer, The,} 659 \emph{Inscriptions,} 879 \emph{Intimate Notebooks, The,} 117, 188


Intimate Theatre, 316 Iris, Ira, 474


Irish Academy of Letters, 527


Irish Players, 172, 588


Irving, Washington, 23


Is \emph{Matrimony a Failure?,} 140


It \emph{Cannot Be Mad,} 675


Ives, Burl, 878


Jack’s restaurant (N.Y.), 127


James, Jimmy, 682


Jannings, Emil, 718


Jeffers, Robinson, 396, 768


Jefferson, Joseph, 17, 2324, 56


Jeffery, Mary, 406


Jelliffe, Smith Ely, 565-566, 567, 572, 576


Jelliffe, Mrs. Smith Ely (Belinda), 565, 566, 567, 572


Jenkins, Charles, 131


Jenkins, Mrs. Charles (Kate Cambias), 131, 138-140, 144, 173, 190, 505


Jenkins, Kathleen, \emph{see}


O’Neill, Mrs. Eugene (Kathleen)


Jenkins, Sue, \emph{see} Light, Mrs. James \# 1


\emph{Jenseits,} 562


Jerome, Jerome K., 140


Jerome, William Travers, i73


\emph{Jest, The,} 452, 477, 489


Jimmy-the-Priest’s, 161-162, 163, 166, 168, 170172, 173, 185, 186, 187, 226, 285, 296, 389. 831, 927


\emph{John Ferguson,} 409


John Golden Theatre (N.Y.), 658, 659, 703


Jones, Robert Edmond "Bobby,” 455, 477, 514, 544, 546, 566, 567, 569, 582, 611, 618, 619, 711


and \emph{Ah, Wilderness!,} 77b 774


and \emph{Anna Christie,} 476 and Carlotta, 797, 897 and \emph{Constancy,} 306-307 and Desire \emph{Under the}


\emph{Elms,} 540, 568


and \emph{Fountain,} 591


and \emph{Hairy Ape,} 492, 495


Jones, Robert Edmond “Bobby” (Cont.)


and \emph{Iceman Cometh,} 861


and Jelliffe, 565


and \emph{Mourning Becomes Electra,} 746


and Provincetown Players, 525


and Provincetown Playhouse, 536, 584, 587 and \emph{Spook Sonata,} 536-


537


and \emph{Suppressed Desires,} 306-307


and \emph{Touch of the Poet,} 884-885


in Washington Square Book Shop, 305


and \emph{Welded,} 543 Jones, Mrs. Robert Edmond, 568


Jonson, Ben, 600


\emph{Joseph} \emph{and His Brethren,} 223, 225, 240, 254- 257, 265, 295


\emph{Journal} \emph{of Outdoor Life,} 231


Joyce, James, 475, 530, 661, 730


Joynt, Father, 99


Jungemann, Elisabeth, 757


\emph{Just Suppose,} 446 \emph{Justice,} 374, 375


Kahn, Otto, 528, 618, 620, 637, 652, 660, 711, 75i


Kalcnyme, Louis, 473-475, 505, 516, 5’7, 519- 520, 529 531, 598, 671, 672-673, 674- 675, 685, 707, 711


Kamerny Theatre (Moscow), 715-717


Kantor, Louis, \emph{see} Kalonyme, Louis


Karsner, David, 611


Kaufman, George, 653, 756 Kaufman, Morris “Mack,” 851, 892


Kaufman, Mrs. Morris, \emph{see} O’Neill, Mrs. Eugene (Agnes)


Keane, Doris, 543-544, 545 Keefe, Edward, 124-125, 127, 128, 129 130, 202, 203-204, 483, 586, 589


Keeney, Nat, 97-98


Keith. Robert, 592


Keith Circuit, 177. 373


Keith Theatre (Boston), 826


Kelly, George, 653


Kelly, Reuben, 327


Kemp, Harry, 283, 309, 310, 332, 364, 396, 463-464, 511


Kemp, Mrs. Harry, \emph{see} Pyne, Mary


Kennedy, Charles O’Brien, 452-454, 455, 477, 478, 488, 489, 490, 492, 493, 494, 502, 710-711, 828, 840, 861, 879, 897-898, 923, 929, 930


Kenny, Nurse, 872


Kenton, Edna, 313, 363, 385, 444, 493, 494, 513, 524, 546


Kerrigan, J. M., 172, 882


Khayyam, Omar, 85


Kilrain, Jake, 91


King. Alexander, 651-652, 662-663


King, Mrs. Alexander, 662


King, Pendleton, 326


King, Thomas Armstrong, 49i


King \emph{Arthur's Socks,} 318 \emph{King's Musketeers, The,} 104


Kingsley, Sidney, 773


Kinsey, Alfred C., 596


Kipling, Rudyard, 67, 79, 88, 200, 259, 262, 353


Klauber, Adolph, 447


Klaw Theatre (N.Y.), 593


Klein, Charles, 340


Klein, William, 674 Knickerbocker Theatre (N.Y.), 104


Knights of Columbus, 229


\emph{Knock at the Door, A,} 280


\emph{Knot-Holes,} 344


Knowles, Sheridan, 142 Koenig, Sadie, 123-124 Kommer, Rudolf, 523 Komroff, Manuel, 233, 523-524, 586, 597, 599-600, 638, 651, 686, 699, 704, 711, 722, 725, 726, 727, 768


Komroff, Mrs. Manuel, 586


Koonen, Alice


(Mrs. Alexander Tairov), 716-717


Koussevitsky, Sergei, 644 Kozol, Harry, 918, 922, 929. 934, 935, 942


Krafft-Ebing, Richard von, 298


Kreymborg, Alfred, 320-321


Kronenberger, Louis, 876


Kruger, Otto, 484


Krutch, Joseph Wood, 412- 413, 482, 513, 571, 593, 601, 636-637, 684, 690, 693 694, 698, 702, 754, 766


Krutch, Mrs. Joseph Wood, 636, 637


Ku Klux Klan, 551-552


Kummer, Clare, 318


Lackaye, Wilton, 104 \emph{l.adies of the Evening, 575 Lady Frederick,} 128


Lafayette Hotel (N.Y.), 283, 549- 572, 73i


Lambs Club (N.Y), 229, 295, 452, 453


Lander, Ruth, 867, 901-


902, 903, 904, 905, 927


Lange, Sven, 449


Langner, Lawrence, 656, 678, 686, 689, 696, 804, 809, 834, 835, 838, 861, 892, 906, 910, 914, 931


and Agnes, 711


and \emph{Ah, Wilderness!,} 768, 772


in Bermuda, 632


and Brady, Alice, 747, 75’


and Carlotta, 855, 897, 922, 923


at Casa Genotta, 767, 797-798


and \emph{Days Without End,} 768-769, 777, 778, 783-784


and \emph{Dynamo,} 680, 687


and Eugene’s visit, 634- 636


and \emph{Iceman Cometh,} 836, 855-856, 859, 864, 874-875


as Lawrence, Basil, 306 and \emph{Marco Millions,} 632, 633-634> 635


Langner, Lawrence \emph{QCont.')} and \emph{Matinata,} 446 and \emph{Moon for} \emph{the Mis}\emph{begotten,} 880, 882, 883, 884, 899


and Moore, 915


and \emph{Mourning Becomes Electra,} 734, 747


as playwright, 306, 446 and Salem, Mass., 918 and Shaw, 428, 475 and \emph{Strange Interlude,} 631-632, 633-634, 635> 650, 731


at Tao House, 825


and Theatre Guild, 487488, 631-632, 633


and \emph{Touch of the Poet,} 899


and Washington Square Players, 305


I .angner, Mrs. Lawrence (Armina Marshall), 634-636, 711, 767, 797, 825, 855, 859, 884, 886, 892, 897, 910-911, 912, 914, 923, 929, 931-932


Lantz, Robert, 925


Lantz, Mrs. Robert, \emph{see} Weingarten, Shirlee


Larimore, Earle, 650, 746, 748, 777. 778, 781


Larimore, Mrs. Earle (Selena Royle), 777778, 783


\emph{J 1st Conquest, The,} 842


I tst \emph{Laugh, The,} 718


Last \emph{Masks,} 421


I timer, Frederick P., 195, 196-197, 209, 282


Latimer, Mrs. Frederick P., 209


I aughlin, Anna, 79 \emph{Laughter,} 600


Laurence, William, 275278, 279


Lawrence, Basil, \emph{see} Langner, Lawrence


“Lay of the Singer’s Fall, The,” 221


\emph{Lazarus Laughed,} 189, 352, 381, 589, 598, 599, 600-603, 611, 616, 618-619, 625, 627, 637, 638, 651, 662, 664. 696, 720, 763


Lefty Louie, 284, 458


I enin, Nikolai, 443


Lenormand, Henri Rene, 526, 715


Le Plessis chateau, 692-694, 700-703, 705 ff., 715, 722 ff., 734-735, 787, 805 ,


\emph{Letter, The,} 633


Letters \emph{of Sherwood Anderson,} 794


Lever, Charles, 88


Lewis, Albert, 373, 380, 592


Lewis, Jim, 203


Lewis, Sinclair, 670, 728729, 730, 807, 810, 813, 814


Lewis, Mrs. Sinclair, 670


Lewisohn, Ludwig, 412


Lewisohn, Samuel, 392


Lewys, Georges, 703-704, 730-733


Liberal Club, 305, 317


\emph{Liberator, The,} 358, 361


\emph{Liberty} magazine, 119, 120


Liebier, Theodore J., 102103, X04, 106, 265, 295


Liebier, Theodore J., Jr., 143, 219-220


Liebier and Co., 102-103, 104, icy, 141, 282, 390


\emph{Life} (magazine), 872 873


Life \emph{of Bessie Bowen, The, 770,} 784, 787, 790, 792


Life \emph{With Father,} 838


Light, James “Jimmy,” 348, 458-459, 495, 512, 515, 517, 569, 611, 619, 642, 657, 710


and \emph{All God's Chilian, 551,} 552,-553. 554. 555


background of, 343


in Bermuda, 582-583, 627


and Carlotta, 504, 711712


and \emph{Diff'rent,} 454


and \emph{Emperor Jones,} 445 and Eugene’s illness, 924 and Eugene’s “medal,”


559-56o


and \emph{Hairy Ape,} 494


at Peaked Hill, 509 and Provincetown


Players, 343'344


Light, James “Jimmy”


\emph{(Cont.)}


and Provincetown Playhouse, 587


and \emph{Where the Cross is Made,} 385, 471


Light, Mrs. James (\#1) (Sue Jenkins), 517, 627


Light, Mrs. James (\#2) (Patty), 627, 657


\emph{Lima Beans,} 320-321 Lincoln Arcade, 124 Lindbergh, Charles A., 635 Lindsay, Howard, 878 Lindsay, Mrs. Howard, 878 Lindsay, Vachel, 283


Little, Richard H., 178-180 \emph{Little Old New York,} 452 Little Theatre (N.Y.), 413, 424


Liveright, Horace, 395-396, 524. 574-575, 599, 651, 652, 686, 688, 704, 711, 723, 730, 742, 767-768 \emph{see also} Horace Live- right, Inc.


Liverpool, England, 166168


Lloyd George, David, 442 Lockridge, Richard, 687, 752, 781


Logan, Joshua, 877, 915 London,Jack, 80, 90, 112, 144, 167, 196, 286


London \emph{Times,} 899


\emph{Long Day's Journey Into Night,} 6-8, 61, 86, 212, 235, 594, 604, 630, 785, 79i, 839, 847, 885


and \emph{Ah, Wilderness!,} 8186


and \emph{All God’s Chillun,} 534-535, 578-579


and Booth, Edwin, 2627


and Carlotta, 836, 838, 841, 862-863, 936, 937, 946 ff.


casting for, 880-882 censorship of, 883-884 and Chappells, 94-95 dates of, 195, 213 doctor in, 215 and Dorsey, 98 and \emph{Dynamo,} 671 and Edmund, 188


\emph{Long Day's Journey Into Nigh* (Cont.)}


and Ella, 3-4, 9-10, n, 14, 15, 41, 53, 55, 58, 59, 69, 93, 215, 535, 833


and Eugene, Jr., 905, 937 and James, 3, 9-10, 13, 21, 186, 219, 220, 535, 834


and Jamie, 3-4, 13, 214, 497, 579, 848, 880


and Kathleen, 208


and Keeney, 97


and New London house, 52, 83


and piano, 13


and pig episode, 91 publication of, 861-863


Prlitzer Prize for, 863 relatives’ reaction to, 93 and the sea, 145-146, 152, 251-252, 872-873 and \emph{Touch of the Poet,} 800


and Welch, Mary, 880882, 883


\emph{Long} \emph{Voyage Home,} \emph{The,} 157, 159, 160, 167, 326 327, 329, 333, 335, 339, 366, 388, 567, 857, 930 opening of, 342 movie version of, 831


Lord, Pauline, 476-477, 478, 485, 501, 611, 619


Lord and Taylor, 35


\emph{Lord Chumley,} 56


Lost \emph{Plays of Eugene O’Neill, The,} 250, 262, 272


Louisville (Ky.\} \emph{CourierJournal,} 480


\emph{Love} \emph{’Em and Leave ’Em,} 278


\emph{Love} \emph{for Love,} 562 “Love’s Lament,” 217


Lowell, Amy, 283, 328


Luce, Claire, 620-621, 891-892


Lucerne Hotel (N.Y.\}, 115, 124


Lundigan, Bridget, \emph{see} Quinlan, Mrs. Thomas Joseph


Lunt, Allred, 405, 618, 646, 649


Lyceum Theatre (New London\}, 82, 99, 209, 483


Lyceum Theatre (N.Y.\}, 342, 544


Lyman, David Russell, 225, 227 228, 234-235, 236, 238, 240, 244, 253, 282, 292, 320, 330, 414, 483, 900


Lynch, Edward, 224


MacAdoo, William, 508


McBride, Philip, 934 McCarthy, Joseph, 67-69, 7°, 533. 756, 900


McCarthy, Mary, 899


McCormick, Langdon, 405 McCreery’s, 35 McGarry’s bar, 202 McGinley, Arthur, 81, 82, 85, 89, 98, 202, 203, 218, 221, 226, 255, 268, 320, 331, 332333, 346, 417, 432, 589, 686, 711, 780, 796


McGinley, John, 51-52, 81 McGinley, Mrs. John


(Evelyn Essex\}, 82, 85


McGinley family, 81-82 MacKaye, Percy, 409, 576 MacKellar, Helen, 405, 406, 410, 413, 442, 463, 464, 547


McLean Hospital (Belmont, Mass.\}, 912, 914, 9i5-9i7> 918


McVicker, J. H., 25, 26


McVicker, Mary, 26


McVicker’s Stock Co., 16 McVicker’s 1 heatre


(Chicago), 25-26, 2731, 105, 178


\emph{Macbeth,} 25, 27, 477, 571, 584, 754


Macgowan, Kenneth, 226, 470, 471, 472, 488, 490, 492, 512, 526, 528, 45V 544. 560, 561. 564, 568, 569, 578, 582, 583, 588, 590, 594, 599. 601, 603, 629, 610, 612, 620, 627 628, 666, 667, 668, 669, 670, 671, 679. 680, 699 and \emph{All God's Chillun,} 547, 55i


Macgowan, Kenneth


(Conf.\}


and analysis, 596


and \emph{Anna Christie,} 480


and Carlotta, 502, 624, 664, 710, 923-924


ana \emph{Desire Under the Elms, 575,} 576-577


and Drama League, 448449


and \emph{Emperor Jones,} 446, 447, 466


and Eugene’s drinking, 585


and \emph{Fountain,} 468, 469


and \emph{Glencairn} plays, 567 and \emph{Great God Brown,}


592


and Greenwich Village Theatre, 563, 584, 587, 589


and \emph{Hairy Ape,} 502


and \emph{Lazarus Laughed,} 618-619


and Nobel Prize, 809810


and poetry of Eugene, 854


and Provincetown Playhouse, 514, 525, 536, 537, 543, 546, 547, 55i, 563, 584, 587


and \emph{Strange Interlude,} 730


and \emph{Straw,} 484


Macgowan, Mrs. Kenneth, 585, 596


Mack, Willard, 471


Mack, William, 342


Mackay, Catherine


“Kitty,” 235-237, 238


Macready, William Charles, 27


Macy’s, 35


\emph{Mad Dog, The,} 501


Madden, Richard, 391-392, 396, 425, 572, 574, 575, 634, 678, 680, 689, 711, 762, 768


Madison Hotel (N.Y.\}, 736, 737, 780, 788, 789


Madison Square Garden, 294, 296, 297, 406, 462. 772


Maeterlinck, Maurice, 306


\emph{Magic Curtain, The,} 884 \emph{Magnificent} \emph{Ambersons,}


\emph{The,} 426


\emph{Maid of the Ozarks, The,} 884


Mai-mai Sze, 686, 825, 897, 928


Maine, 603, 609 ff


Majestic Theatre (N.Y.), 79


Maloney, Dr., 573


Mamoulian, Rouben, 646


\emph{Man from Home, The,} 128 \emph{Man on Iron Horseback,}


\emph{The,} 792, 854 Manhattan Opera House, 318, '331


Mann, Theodore, 863, 947 ff-


Mann, Thomas, 652, 728, 766


Mansfield, Richard, 95-96, 104


Mansfield, Mrs. Richard, 95 Mantle, Bums, 326, 544, 545, 781


Marblehead, Mass., 895899, 905-907, 908911, 928


Marbury, Elisabeth, 391, 603, 613, 615, 616, 617


Marchand, Damon, 299 Marchand, Mrs. Damon (Marie), 299


Marchesini, Adele, 320 \emph{Marco Millions,} 157, 352, 428, 527-528, 534, 560-561, 562, 563, 572-573, 574, 575, 589, 599, 627, 631632, 633, 635, 639, 642, 645, 649, 651, 652, 769 casting of, 646 opening of, 653-654


Marinoff, Fania


(Mrs. Carl Van Vech- ten), 614, 706, 707, 711, 767, 797, 829, 892


Marion. George, 478 Mukham, Kyra, 309, 311, \textsuperscript{537}


Markham, Marcella, 866, 880


Marquis, Don, 576


Marshall, Armina, \emph{see} Langner, Mrs. Lawrence


Martin, James Joseph “Slim,” 348-349, 350355, 439-440, 445,


Martin, James Joseph "Slim” (Cont.) 45°, 459-46o, 488, 553'555, 59i


Martin Beck Theatre (N.Y.), 687,.874


Marvell, Andrew, 899


Marx, Karl, 353


Masefield, John, 259, 345, 890


\emph{Masses, The} (magazine), 196, 283, 293, 318, 321, 331, 356, 358, 359, 442


Massey, Edward, 275, 326


Massey, Raymond, 872


\emph{Master Builder, The,} 104


\emph{Matinata,} 446


Matisse, Henri, 371


Maugham, Somerset, 128, 633, 638, 754, 798, 900


Maxine Elliott Theatre (N.Y.), 172


\emph{Maya,} 674


Mayer, Louis B., 830, 857


\emph{Medea,} 540


Meighan, James, 569


Meighan, Mrs. James


(Morris, Mary), 569


Meighan, Tom, 106


Meisner, Sanford, 646


\emph{Melody of Youth,} 322


\emph{Melting Pot, The,} 140 "Memoranda on Masks,” 766


\emph{Men in White,} \emph{773}


Mencken, H. L., 338, 482483, 52i, 534, 559' 560, 611


Mencken, Helen, 501


Merman, Ethel, 878


Merrill, Charles, 527


Merrill, Fenimore, 340


Merrill, Flora, 584


Merritt Hospital (San


Francisco), 819-822


\emph{Metamora,} 23


Metro-Goldwyn-Mayer, 761, 774


\emph{Metropolitan Magazine,} 196, 262, 302


Metropolitan Opera House, no, 725


Meyer, Frank, 610, 706, 867, 868, 900-901, 902-904, 905-906


Meyer, Mrs. Frank (Elsie), 902-904, 905


Meyer, John, 903


Middleton, George, 342, 4i7


Mielziner, Jo, 657, 888 Millay, Edna St. Vincent, 344, 385, 730, 906


Millay, Kathleen, 344 Millay, Norma, 344, 569, 906


Miller, Alexander, 562


Miller, Arthur, 5


Miller, Gilbert, 599


Miller, James Alexander, 224-225


\emph{Millionaire's Daughter, The,} 44


Mills, A. R., 168


Millspaugh, Dr., 531


Milton, John, 899


\emph{Miner’s Daughter, The,} 46


Minsky, Harry, 458, 485 Mirabeau, Honore de, 119 \emph{Miss Innocence,} 129


\emph{Miss Lulu Bett,} 508


\emph{Miss Multon,} 36-37


\emph{Miss} 1917, 342


Mitchell, Thomas, 388, 828


Mizner, Wilson, 140


\emph{Modern Drama,} 833 Modem Library, 395-396 \emph{Modern Marriage, 119} Modjeska, Helena, no Moeller, Philip, 306, 647649, 650, 657, 660, 687, 690, 746, 749, 75b 77b 772-773. 774. 778-779, 781, 783


Moffat, John, 504


Moffat, Mrs. John, \emph{see} O’Neill, Mrs. Eugene (Carlotta)


Mohican Hotel (New London), 432, 434, 53i


Moise, Nina, 324-325, 342, 344. 357-358, 365. 369, 372, 379. 384, 385-386, 387, 388, 430


Moliere, 546, 754


Mollan, Malcolm, 197, 198, 199-200, 486, 487


Molnar, Ferenc, 647, 654 \emph{Money,} 119


Monroe House (Provincetown), 487, 492


Montauk Inn (New London), 90-91, 92


Monterey, Carlotta, \emph{see} O’Neill, Mrs. Eugene (Carlotta)


Moody, William Vaughn, 409


\emph{Moon for the Misbegotten, A,} 7-8, 86, 90, 91, 92, 97, no, 118, 362, 497, 500, 529, 534, 604, 791, 800, 844, 847, 848-850, 855-856, 862, 865, 870, 885, 886, 899, 922, 934, 936-937, 947


casting of, 880-882 controversy over, 883-884 opening of, 883


\emph{Moon of the Caribbees, The,} 150, 153, 157, 161, 166, 326, 329, 339, 340, 358, 361, 381, 386, 387, 391, 400, 456, 567, 720 cast of, 388 opening of, 388-389


\emph{Moon of the Caribbees and Six O'her Plays of the Sea, The,} 395 “Moonlight,” 314 Moore, Merrill, 915-916, 921, 922, 926, 927, 93i


Moran, Irene, 93


Moran, Julian, 516


\emph{More Stately Mansions,} 799, 801, 803, 804, 829-30, 854, 938, 95i


Morehouse, Ward, 713, 875


Morgan, J. P., 96


Morgan family, 205 Morosco Theatre (N.Y.), 405, 406, 407


Morris, Clara, 36-37 Morris, Mary


(Mrs. James


Meighan), 569


Morschauser, Joseph, 190 Morse, Salmi, 44-45 Morton House (N.Y.), 35 Moscow Art Theatre, 588 Most, Johann, 121 \emph{Mother Earth} (magazine), 245. 384


\emph{Mother's Secret, The,} 42 Motherwell, Hiram Kelly, 306, 361


Mount St. Vincent


Academy, 64-70, 71-72 Mouquin’s restaurant


(N.Y.), 124 \emph{Mourning Becomes Electra,} 5, 87, 150, 155, 157, 437> 578, 594, 631, 659, 715, 721-724, 725-728, 734'735, 738, 739-740, 742745, 756, 757-758, 759, 761, 762, 769, 785, 788, 802, 827, 836, 839, 857-858, 870, 872, 963


casting for, 746-747, 748749


and Nobel Prize, 728 opening of, 750-755 story of, 698-701, 721


722


title of, 433


\emph{Movie Man, The,} 262, 263 Mowatt, Anna Cora, 543 \emph{Mr. Faust,} 493


Mullett, Mary B., 146, 148 Munsell, Warren, 784 Muray, Nickolas, 614, 625, 653


Murdock, Harry, 36 Murphy, Walter, 483 Murray, Catherine, 230-231 Murray, Elizabeth, 58, 695696


Museum of the City of


New York, 786, 855 Mussolini, Benito, 766


Nantucket, 584, 585-586, 589


Nathan, George Jean, 14, 126, 429, 435, 456, 462, 466, 470, 524, 573, 578, 619, 638, 675, 677, 686, 688, 690, 702, 715, 719, 722, 723, 727, 728, 729, 822, 826, 828, 830, 853, 861, 869870, 871, 892


and Agnes, 711


and \emph{Ah.} \emph{Wildernessl,} 769 and \emph{All God's Chillun,}


534


and \emph{American Mercury,} 534


and \emph{American Spectator,} 766


and Anderson, M., 810


Nathan, George Jean (Cent.) and \emph{Anna Christie,} 436 beer, gift of, 796 and Carlotta, 756, 845, 937


and casting, 650


and Catholicism, 764 and \emph{Days Without End,} 764, 783


and European drama, 339-340


and Faust, Lotta, 79 and \emph{First Man,} 497 first meeting with, 391 and \emph{Gold,} 427 and \emph{Hairy Ape,} 491 and \emph{Haunted,} 745 and \emph{Honor Among the}


\emph{Bradleys,} 388


and \emph{Hughie,} 844 and \emph{Iceman Cometh,} 856, 876


\emph{Intimate Notebooks} of, 188


and \emph{Lazarus Laughed,} 601


and Le Plessis, 705-706 and \emph{Marco Millions,} 428 and medal story, 559560


and O’Casey, 787-788, 789-790


and Old Bean story, 349 and Oona, 842, 844 at plagiarism trial, 731


732


and player pianos, 776


and Princeton story, 116117


and Rothschild story, 717 and \emph{Smart Set,} 339-340, 374> 382


and \emph{Strange Interlude,} 428, 637


and suicide story, 188 and Tairov, 716-717 and Tao House, 827 \emph{Theatre of,} 636 and \emph{Welded,} 521 and Woollcott, 658


\emph{Nation, The} (magazine), 412, 571, 593


National Institute of Arts and Letters, 559


National Theatre (Cincinnati), 22, 23


National Theatre (Washington, D.C.), 885886


Nazimwa, Alla, 2—'. 746, 748, -49, 777


Neagle’s bar, 202


Neal, Patricia, 886, 888 N \emph{:d McCobb's Daughter,} . \textsuperscript{653}


Negro \emph{Play,} 847


N. ighborhood Play


house (N \textbackslash{}.), 496


Nesbit, Evelyn, 98


Nesbitt, Cathleen, 172 Neuberger, Richard L., 136, 812-813


New Central Hotel (Provincetown), 327


New London, Conn., n, 39, 51, 5:, 81, 83-85, 86, 89, 94, 95, 97, 98, 195 ft’., 430, 529-530, 74i


New London \emph{Day,} 52, 81, 195, 200, 202


New London \emph{Telegraph,} 195 ff., 230, 232, 265, 41 7 473, 486, 86o


Nor \emph{Republic, The} (magazine). 571, 611


New 1 -'rk (ship), 163-166 New York \emph{American,} 341, 502, 548-549> 570,


635,691


New 1 rk \emph{Call,} 245, 523


New York \emph{Clipper,} 431


New York \emph{Evening Mail,} 3-6


New York \emph{Evening Telegram,} 401, 409, 480


New York \emph{Evening World,}


\_ 341


New York \emph{Globe,} 341, 446, 466, 480


New Y .rk \emph{Herald,} 339, 34i, 409, 479-48o, 544- 547, 548


New V rk \emph{Heald Tribune,} 544, 611, 685-686, 691, 712, 718, 755, \_ 757, 87?


New >rk \emph{Journal America\^{},} 876


New \textbackslash{}ork \emph{Mirror,} 264, 875


New Aork \emph{Morning Telegraph,} 385


New y jrk News, 544, 545, \_ 739. 781, 875


New York Post, 409, 471, 479, 752, 842, 875


New ) ork \emph{Review,} 385, 6’4


New York Sun, 341, 544, 593, 654, 687, 713, 752, 7S1, 875


New York \emph{Telegram and Evening Mail,} 556


New York Theatre, 129 New \emph{York Times, The,} 36, 37, 38, 49, «28, \textsuperscript{\}} 150, 275, 322, 341, 342, 406, 408, 443, 447, 471, 480, 481, 544, 545, 556, 570, 571, 592, 603, 646, 652, 654, 660, 663, 684-685, 695, 712, 73i> 734, 738, 743, 749, 755, 774, 787, 811, 814, 822, 829, 871, 873, 875, 888, 898-899


New York \emph{Tribune,} 36, 267, 326, 341, 380, 385, 408, 446, 471, 473, 479


New York \emph{World,} 138-139, 408-409, 410, 4’79, 484, 498, 523, 544, 545, 584, 585, 59i, 654, 658, 659, 662, 669-670. 688. 729, 753


New York \emph{World-Telegram,}


\emph{New Yorker, The,} 117, 155, 267, 346, 613, 661, 688, 737, 753, 796-797, 869, 887


Newman, Arnold, 873 Nichols, Dudley, 348, 659660, 662, 687-6S8, 831-832. 872. 877, 897


Nichols, Lewis, 888


Nichols, Mrs. Lewis, 888 Nielson, Adelaide, 30-31, 37


Nietzsche, Friedrich, no, 121-122, 124, 234, 275, 276, 277, 286, 353, 680-681, 814, 921, 938


\emph{Nigger of the Narcissus, The,} 146, 351


\emph{Night,} 342


\emph{Night's Lodging, A,} 162, 499


\emph{Nigh wood,} 888


Nird’inger, Ella, 14, 15


\emph{No Foolin’,} 620


“No More I’ll Go A-Rov- ing,” 150


Nobe\textsuperscript{1} Prize, 5 136 234, 396, 728-729, 785, 807-812, 813-814, 819820, 821-822, 825-826, 862, 884


Nordfeldt, Bror, 304, 362


Nordfeldt, Mrs. Bror, 316 \emph{North China Daily News,} 681


Northport, L.I., 741-746, 756


Norton, Elliot, 933


\emph{Nostalgia,} 742


Not \emph{Smart,} 309, 310 \emph{Nothing is Lost Save}


\emph{Honor,} 792, 854


Notre Dame (school, University), 14


\emph{Now I Ask You,} 280, 345 Nugent, Slim, 553-554


Oakland \emph{Tribune,} 839


\emph{Obituary, The,} 323 O’Carolan, Jim, 287-289 O’Carolan, Terence, \emph{see}


Carlin, Terry


O'Casey, Sean, 118, 348, 754. 766, 787-790, 830


O’Connor, Luke, 345, 357, 420, 460


\emph{Odd Man Out,} 892


\emph{Oedipus,} 754


Oenslager, Donald, 569


\emph{Of Mice and Men,} 620


\emph{Of Thee I Sing,} 756, 802 \emph{Of Time and the River,} 270


Ohler, W. Richard, 935, 939 “Old Bean, The,” 349


\emph{Old Lady,} 31, 318


Olivier, Lawrence, 885


\emph{Ollie Oleson’s Saga,} 718 Olympic Theatre (St.


Louis), 105


O’Neill, Edmund Burke (brother), 51, 52, 53, 188, 432, 500


O’Neill, Edward (grandfather), 20


O’Neill, Mrs. Edward (Mary) (grandmother), 20, 51


O’Neill, Mrs. Eugene (Agnes Boulton O’Neill Kaufman), 367. 379. 385, 390, 397. 420, 432, 434, 456, 466, 471, 494, 497, 506, 507, 512, O’Neill, Mrs. Eugene (Agnes Boulton O Neill Kaufman) \emph{(Cont.)} 514- 519, 574. 605, 612, 641, 642, 663, 672, 673, 683, 710, 711, 801, 840 and analysis, 596 background of, 364-365 and Barbara, 364, 370, 386, 510-511, 609, 610, 617


and Bermuda, 562, 564, 572, 575, 582, 598, 599, 603, 622, 624, 625, 640


and break-up of marriage, 617, 623, 625-626, 627, 635


and Brook Farm, 515, 5i7, 541-542, 558, 599


and Carlotta, 615, 623, 625


courtship of, 365-366, 368, 369-370, 371 and Delaney, 695-696 and divorce from


Eugene, 654 655, 656, 666-667, 669-672, 674, 675, 678, 679- 680, 690, 691, 692, 696, 860-861 and \emph{Dynamo,} 677 and Eugene’s drinking, 462, 472-473, 542- 543, 586, 626


and Eugene’s plays, 366, 369, 382, 387-388, 498, 544, 632


as homemaker, 370, 616- 617


and Jamie, 380, 532, 533 and Kaufman, 892 in Maine, 609, 610, 615, 616-617


and marriage to Eugene, 372, 374


in New York apartment, 476, 478


and Oona, 583, 844, 851 at Peaked Hill Bar, 392, 393, 394'395, 399, 508 509


in Provincetown, 370, 37i, 377, 380, 400, 416, 419, 487


and Shane, 400, 509, 627


O’Neill, Mrs. Eugene (Agnes Boulton O Neill Kaufman) (Cont.)


Ullman, Allen, and, 372- 373


and \emph{Welded, 765}


in West Point Pleasant, 386-387, 694-695


O’Neill, Mrs. Eugene (Carlotta Monterey O'Neill), 151, 269, 625, 626, 630, 673, 708, 715. 725, 728, 762, 787, 788, 789, 79 b 792, 794, 844, 856, 860, 869, 874, 883, 897, 921, 945 ff.


as actress, 502, 504


and Agnes, 615, 623, 625 and \emph{Ah, Wilderness!,} 770 and Aronberg, 861 and Baker, 756-757 and Barton, 613-615, 706-707, 736-739


and Blemie, 714, 827- 828, 837


and bromide poisoning, 908 ff.


and Casa Genotta, 759- 761, 765 766, 767, 768, 794, 795, 796 ff., 822


and Catholicism, 763, 922 and Chapman, 502 and Christmas, 829 courtship of, 622 624, 635, 641, 642


and Crouse, 877-878 and Cynthia, 504, 663, 922-923


and \emph{Days Wi'hout End,} 764, 765, 777, 783 death of, 961 and death of Eugene, 938-940, 941-943 description of, 503-504, 949


and Dowling, 856


and \emph{Dynamo,} 676 and Eugene’s illness, 819-820, 821, 838, 842, 845-846, 847-848, 858, 878-879, 887, 898- 899, 9\textsuperscript{OO}> 907, 937


and Eugene Jr., 706, 867, 868, 900, 901, 90 5


and Eugene III, 869 and first trip with


O’Neill, Mrs. Eugene (Carlotta Monterey O’Neill) (Cont.) Eugene, 654-656, 664- 665, 666, 667, 668 ff.


in France, 667-669 and fur-lined coat, 656- 657


and Gans, 786


and \emph{Hairy Ape,} 501-502, 569


as homemaker, 616, 657, 698, 705, 723, 766


illness of, 819-820, 842, 900, 907, 909 ff., 954 ff.


and Langners, 931-932 and Larimores, 778 and Light, 712 and literary trust, 936 and \emph{Long Day’s Journey,} 836, 838, 841, 862- 863, 936, 937


at McLean Hospital, 912, 914, 915-917, 918


and Macgowan, 502, 624, 664, 710, 923-924


in Maine, 613, 615-616, 617


and Marblehead, 895 ff., 906-907, 908-912, 928 marriage to Eugene, 696- 697


and Moffat, 504 and monkey, 667 f., 950, 955


and \emph{Moon for the Misbegotten,} 848-849


and \emph{Mourning Becomes Electra,} 698, 723, 734- 735. 747. 748, 749, 756, 757


and music, 644


and Nathan, 845


and New London, 741 and Nobel Prize, 807, 808


at Northport, 745 746 and Oona, 742, 841, 852 photographs of, 653, 697, 772, 873


and player piano, 776 and plays of Eugene. 3, 6-7, 605, 608, 848, 854, 862, 938


and reconciliation, 933- 934


and Pioosevelt, F. D , 813 in San Francisco, 854, 855


O’Neill, Mrs. Eugene (Carlotta Monterey (O’Neill) (Cont.) and Sea Island, 759-761 in Seattle, 806, 809 and seclusion, 709-710, 711-712, 774, 822, 839-840, 845, 893894, 895, 898-899 and separation, 888-893, 919, 922 ff.


and Shane, 742, 868 and Sipes, 839-840 and Speyer, 635 and Tao House, 822-823, 824-825, 839-840, 853-854


and Weingarten, Shirlee, 865, 887, 888


and Will of Eugene, 934


and Yale collection, 757 O’Neill, Mrs. Eugene (Kathleen Jenkins O’Neill Pitt-Smith), 161, 172, 189-190, \emph{374}


background of, 131 courtship of, 131-133 divorce of, 173, 190191, 208


and Eugene Jr., 138, 39\textsuperscript{2}, 505, 506, 583, 590, 742, 904-905 marriage of, 133, 137, 138-140, 144


O'Neill, Eugene Gladstone birth of, 55-58 family of, \emph{see} O’Neill, James; O’Neill, Mrs. James; O’Neill, James, Jr.; \emph{and} O’Neill, Edmund


education of, \emph{see} Mount St. Vincent, De La Salle, Betts, Princeton, \emph{and} Harvard first marriage of, \emph{see}


O'Neill, Mrs. Eugene (Kathleen) and gold prospecting, ’33-137


fir > child of, \emph{see} O’Neill, Eugene, Jr.


and vaudeville touring, 142-143, 175-177, 182-183, 185


as sailor, 144 ff.


suicide attempt of, 187188


O’Neill, Eugene Gladstone


(Cont.) as reporter, 195 ff. and tuberculosis, \emph{see} Gay


lord Farm


and Maibelle Scott, \emph{see}


Scott, Maibelle


and Beatrice Ashe, \emph{see} \emph{1} Ashe, Beatrice


in New London, 195 ff. in Greenwich Village,


282 ff., 317 ff., 343 ff.,


356 ff.


and Louise Bryant, \emph{see} Bryant, Louise


and Provincetown, \emph{see} Provincetown


and Provincetown


Players, see Provincetown Players


second marriage of, \emph{see}


O’Neill, Mrs. Eugene


(Agnes')


second child of, \emph{see}


O’Neill, Shane at Peaked Hill Bar, see


Peaked Flill Bar in Ridgefield, see Brook


Farm psvchoanalysis of, 595-597 in Bermuda, \emph{see} Bermuda third child of, \emph{see}


O’Neill, Oona at Belgrade Lake, \emph{see}


Maine break-up of marriage and divorce, \emph{see} O’Neill, Mrs. Eugene (Agnes) in Europe, 667 ff.; see \emph{also} Le Plessis chateau in Far East, 678, 680686


third marriage of, \emph{see} O’Neill, Mrs. Eugene (Carlotta)


in New York, 859 ff. in Northport, 741-746 at Sea Island, 759 ff- in Seattle, 806 ff.


and Nobel Prize, 807 ff.


in California, 819 ff.; see \emph{also} Tao House


in New York, 859 ff. in Marblehead, 895 ff. hospitalization of, 890


893, 910 ff. in Boston, 893, 933 ff. death of, 938-940, 941


943


O’Neill, Eugene Gladstone (Cont.)


plays of, see page 944 \emph{and individual listings}


O’Neill, Eugene Jr. (son by Kathleen), 507, 539, 561, 695, 915, 927 in Bermuda, 583-584 birth of, 138-140 and Carlotta, 867, 868, 900


death of, 904-906,913-915 and dog, 590


education of, 505, 516, 605, 699, 743, 801, 852, 855


first meeting with Eugene, 505-506


and Lander, Ruth, 867, 901, 902, 903, 904, 905


at Le Plessis, 706


and \emph{Long Day’s Journey,} 862, 937


in Maine, 609, 610, 612 marriages of, 742, 853 and Meyers, 900-901, 902-905


and Peaked Hill Bar, 508-509, 663, 729


and plays of Eugene, 673, 867


O’Neill, Mrs. Eugene Jr. (Elizabeth Green), \textsubscript{t} 742


O’Neill, Eugene III (son of Shane), 868-869


O’Neill, Frankie, 297 O’Neill, Henry, 504


O’Neill, James (father), 34, 35. 55. 57-58, 73, 76, 90, 91, 103, 122, 123, 129, 130, 163, 174, 186, 188, 191, 195, 204, 217, 218, 239, 240, 241, 245, 253, 262, 274, 276, 281, 330. 333. 453. 468, 515, 528, 531, 539, 577. 578-579. 582, 595. 745. 762, 763764, 777, 800, 813, 834, 852-853, 871872


as actor, 17-19, 22-32, 36-37. 44. 45 47. 4850, 52-54, 68, 104107, 109-111, 141-


O’Neill, James (father) (Cent.)


142, 175 ff., 219, 256


257, 33\textsuperscript{1}, 590


and Agnes, 386, 392


background of, 9, 17, 20-23, 166


as clubman, 229


death of, 415, 416, 419, 424, 430-433, 500


and education, 17, 64-65, 77, 116


and Ella, 9-11, 15-16, 17, 19-20, 33, 38-39, 41, 42, 44, 51, 56, 59, 183-184, 206-207, 535


as gambler, 297


at Garden Hotel, 294295, 296-297


and Hawthorne, Louise, 31-32


and Jamie, 82, 83, 99, 100-102, 105, 106108, 109, 177-178, 182-183, 254-256, 286, 295, 296, 335, 338, 414-415


and Kathleen, 13 2-13 3, 137-140, 161, 172-173, 392, 452


and \emph{Long Day’s Journey,} 3-4, 8, 9-10, 15, 2627, \emph{97,} 219, 535


marriage of, 38-39, 41


as miser, 3, 43-44, 8485, 219-222


and New London, 11, 51-52, 81, 82-83, 94, 95-99, 483


and plays of Eugene, 254255, 263-265, 282, 319, 322-323, 338339, 374, 407, 408, 414, 415, 451-452, 753


at Prince George Hotel, 294, 295


and Rippins, 241, 242, 243


and Scott, Maibelle, 208, 212, 216


Shane and, 400, 401 and tuberculosis sanitarium, 221-223, 224, 225, 238


and Walsh, Nettie, 32, 33, 39-42, 70-71, 137, 392


O'Neill, Mrs. James


(mother)


(Mary Ellen "Ella” Quinlan), 47, 62, 64, 65, 69, 76, 77, 82, 84, 85, 90, 99, no, 133, 140, 175, 212, 218, 223, 238, 294, 296, 330, 414, 473, 535, 538-539, 578579, 595, 74b 834


and Agnes, 386


and Austin, Leslie, 257 background of, 9, 12-16 and Catholicism, 14, 46, 69, 73


death of, 496, 497, 500501


and James, 9-11, 15-16, 17, 19-20, 33, 36, 37, 38-39, 41, 42, 43, 44, 46, 50-51, 53, 54, 56, 59, 94, 109, 183-184, 206-207, 219, 430, 43i, 535


and Jamie, 53, 60, 108, 239, 295, 434, 491, 496, 497


and Kathleen, 138-139, 189-190


and Long \emph{Day's Journey,} 3-4, 8, 9-12, 15, 55, 58, 59, 93


at Lucerne Hotel, 123 marriage of, 38-39, 41 and music, 12, 13, 14, 16


and narcotics, 3-4, 58-59, 60, 72-73, 93, 101, 109, 183184, 186, 189, 206-207, 215, 498, 500


and New London, 11, 51-52, 81, 83, 92-95, 240


and plays of Eugene, 338339, 407


and Prince George Hotel, 294, 295


and Rippins, 241-243


and Scott, Maibelle, 216 as widow, 432-434, 490-


49i


O’Neill, James, Jr. “Jamie” (brother), 47, 50, 52, 60, 75, 78-79, 85, 90, 92, 93, 98, 115, 123, 128, 175, 191, 196, 212, 216, 265, 289,


O’Neill, James, Jr. “Jamie” (brother) \emph{(Cont ) 335,} 365, 424, 425, 500, 575, 578-579, 831, 834


as actor, 80, 100, 104109, 142-143, 374


and alcoholism, 4, 107108, 214, 414-415, 497, 507, 531-532, 573


birth of, 44


and Cadenas, Frances, 531-532


death of, 532-533, 538539


and Ella, 53, 60, 70, 108, 239, 295, 434, 490-491, 496, 497498, 529


and Frederick, Pauline, 239-240


at Garden Hotel, 294, 295, 296, 297, 380, 659, 843


and horse racing, 644 and James, 82, 83, 97, 99, 100-102, 105, 106108, 109, 177-178, 182-183, 254-256, 286, 295, 296, 335, 338, 414-415, 43L 432, 433


and Kalonyme, 529-531 and \emph{Moon for the Misbegotten,} 7-8, 97, 497, 529, 534, 848-849


and plays of Eugene, . 345-346, 4i4 in Provincetown, 380 and Rippins, 241, 243 at school, 65


and Walsh, Nettie, 70-71 O’Neill, John (godfather), 42


O’Neill, Maire, 172 O’Neill, Oona (daughter by


Agnes)


(Mrs. Charles Chaplin), 603, 625, 664, 696, 826, 853, 896, 898, 913, 930


birth of, 583


and Carlotta, 742 and Chaplin, 851-852 and Kennedy, 840 in Maine, 609-610 marriage of, 851 and parents’ divorce, 672, 679, 694, 742, 801


O’Neill, Oona \emph{(Contd)} and Salinger, 842, 850851


social life of, 840-841, 842-843, 844, 845


at Tao House, 840-841 and Will of Eugene, 934, 936


O’Neill, Patrick, 834-835


O’Neill, Shane Rudraighe (son by Agnes), 424, 572, 586, 625, 664, 934, 936


and alcohol, 852-853 birth of, 400-401 and Carlotta, 868 childhood of, 475, 488, 509-512, 559, 573, 583, 603, 610, 612, 627


and Eugene III, 868-869


illness of, 869


and Kennedy, 840 in Maine, 610, 612 marriage of, 868 and narcotics, 896 and parents’ divorce, 672, 679, 694-695, 742, 801


at Peaked Hill Bar, 475, 509-512.


at Tao House, 826-827, 852


and Will of Eugene, 934, 936


O’Neill, Mrs. Shane (Catherine Givens), 868-869, 896


Only \emph{Law, The,} 140 "Only You,” 210-211 Oppenheim, James, 328, 342.


\emph{Oregonian,} 136, 812


Orpheum Circuit, 175, 177, 185, 373'374, 477


Othello, 27-29


\emph{Others} (magazine), 321


\emph{Our Betters,} 375


\emph{Outdoor America} (magazine), 618


\emph{Outside Looking In,} 589


\emph{Paid} \emph{in Full,} 140


Palace Theatre (Chicago), 373-374


Pal ice Theatre (N.Y.), 177, 826


Palmer, A. M., 22, 32, 3536, 42-43


Palmer, Percival Fraser, 207


Palmer, Mrs. Percival Frazer


(Eleanor Young), 207


\emph{Pan,} 324


Pancho Villa, 262


\emph{Panorama} (magazine), j 783


\emph{Paris Bound,} 654


Paris \emph{Herald,} 712, 717, 728


Park Place Disaster, 103


Parker, Dorothy, 751


Parker, H. T„ 782


Parker, Louis N., 223


Parsons, Wilfred, 886


\emph{Part of a Long Story,} 364


Pasadena Community


Players, 603, 664


\emph{Passing of the Third Floor Back, The,} 140


\emph{Passion, The,} 44-47, 455, 577


Paterno’s bar, 453, 459


\emph{Patience,} 562


Patterson, Robert Lee, 890-891, 893, 920-921, 932.


Paxinou, Katina, 872


Payne, Jennie, 207


Pay ton, Corse, 331


\emph{Peace that Passeth Understanding, The,} 442


Peaked Hill Bar 393-395, 399, 473-476, 486487, 507 ff., 526, 531, 560, 584, 599, 663, 729-730, 734, 896


Pearson, Norman, 605


\emph{Peer Gynt,} 277, 361


Pell, Arthur, 768


Pemberton, Brock, 374 Pendleton, Coddington, 53i


Perkins, Charles, 222


Perkins, David, 105, 415


Perry, Augustus, 473, 509


Perry, Starbuck, 167 \emph{Personal Equation, The,} 272


Peterson, Stavros, 204


Phelps, William Lyon, 416, 508


\emph{Philadelphia} (ship), 163, 168


Philadelphia \emph{Public Ledger,} 486


Philadelphia \emph{Record,} 338


Philbin, Stephen, 68


Philip II, 847


Pigalle Theatre (Paris), 716


Pinchot, Ben, 625, 697, 706, 772


Pinchot, Mrs. Ben (Ann),


706, 760, 771-772, 795-796


Pinero, Arthur Wing, 754


Pirandello, Luigi, 526


Pitoeff, Georges, 715


Pitt-Smith, George, 505, 590


Pitt-Smith, Mrs. George, \emph{see} O’Neill, Mrs.


Eugene (Kathleen)


Plato, 353


Platt, Mrs. (aunt), 432-433 \emph{Playboy of the Western}


\emph{World, The,} 172 Players club, 56, 229, 258, 295, 415, 432


Playwrights’ Theatre, \emph{see}


Provincetown Players \emph{Plots and Playwrights,} 275 Plymouth Theatre (N.Y.), 501, 504, 613


PM (newspaper), 833, 876 Poe, Edgar Allan, 613 Point O’Rocks Lane, \emph{see}


Marblehead, Mass. Pollock, Channing, 733 \emph{Polly with a Past,} 342 Poole, Ernest, 426 \emph{Porgy,} 646 Portman, Eric, 885 Powers, Norman, 911 Powers, Tom, 650 Pratt, Henry, 42 Prideaux, Tom, 872, 873 Priestley, J. B., 810 \emph{Prince and the Pauper,}


\emph{The,} 446


Prince George Hotel (N.Y.), 294-295, 320, 408


\emph{Princess Marries the Page, The,} 385


Princess Theatre (N.Y.), 255, 258, 448, 456, 492


Princeton University, 75,


80, 112-118, 605, 848, 855


Princeton University


Library, 670 Proctor’s Theatre


(Newark), 373


Proudhon, Pierre, 119


Providence \emph{Journal,} 198 Provincetown, Mass., 4,


302, 303 ff., 370 ff., 393 > 434, 435, 472


ff., 486 ff., 507 ff., 529-531, 603, 805


Provincetown \emph{Advocate,} 328


\emph{Provincetown} \emph{Playbill,} 537 Provincetown Players, 306-310, 312-313, 315-316, 317 ff., 338, 340, 342, 343, 350, 359, 363, 366, 369370, 37i, 380, 381, 382, 383-384, 396, 399-400, 407, 413, 421, 440-442, 444448, 452, 456, 491494, 513'514, 524525, 526, 528, 536, 637, 641, 681, 730


Provincetown Playhouse, 536, 545-546, 547, 550, 55i, 554, 561562, 584, 586-587, 588, 589, 602, 642, 644-645, 653, 711, 712


Provincetown Theatre (N.Y.), 496, 498, 567, 57o


Pulitzer, Joseph, 426


Pulitzer, Ralph, 658


Pulitzer Prize, 5, 426-427, 430, 431, 482, 508, 602, 653-654, 662, 674, 733, 756, 773, 802, 863


\emph{Pygmalion,} 310


Pyne, Mary


(Mrs. Harry Kemp), 309, 322-323, 332, 364, 365


“Quiet Song in Time of Chaos,” 837


Quigley, James, 167-168, 171


Quinlan, Mary Ellen “Ella,” \emph{see} O’Neill, Mrs. James


Quinlan, Thomas Joseph (grandfather), 12, 1314, 15, 19, 33


Quinlan, Mrs. Thomas Joseph (grandmather), 12, 16, 19, 33, 38, 5i, 54, 93, 432, 5°o


Quinlan, William, 11, 12


Quinn, Arthur Hobson, 4, 535, 602, 636


Quinn, Edmond T., 559


Quintero, Jose, 863, 874, 947 ff-


\emph{Quintessence of Ibsenism, The,} 119, 428-429


Racine, Jean Baptiste, 754 Ramage, Mabel, 204, 205, 207


Random House, 768, 822, 831, 836, 854, 861, 862, 934, 936, 946


Rauh, Ida, 305, 363, 384385, 386, 399, 400


\emph{Recklessness,} 250, 253, 254


Recluse \emph{of Sea Island, The,} 789


\emph{Red Falcon, The,} 504, 614


\emph{Redbook} (magazine), 789


\emph{Redemption,} 383, 388, 389, 452, 477 '


Redgrave, Michael, 872 Reed, Florence (Mrs.


Malcolm Williams), 613, 616-617


Reed, John “Jack,” 283, 313, 335, 35i, 359 background of, 262-263, 302


as Bolshevik, 442-443


in \emph{Bound East for Cardiff,} 310


and Brvant, Louise, 302, 309,'311, 312, 323, 330-331, 37i, 443, 802 death of, 442, 488, 538, 801


and Dodge, Mabel, 302, 306, 312


and \emph{Freedom,} 308, 319 as pacifist, 327, 328, 329330, 33i, 3)6


and Provincetown, 302, 308


and Provincetown Players, 306, 308, 314-315, 318, 323


Reed, Mrs. John, \emph{see} Bryant, Louise


Reinhardt, Max, 561, 572


Renner, Alexander, 683, 684, 685


\emph{Reporter, The,} 542


\emph{Rescue, The,} 388


\emph{Research in Marriage, A,} 596


“Revolution,” 301


Rhodes, Cecil, 775


Rice, Elmer, 405, 751, 753


Riddell, George, 406


\emph{Riders to the Sea,} 172


Riley, James Whitcomb, 198


Rinehart, Mary Roberts, 422


\emph{Rip Van Winkle,} 23, 24


Rippin, Dolly, 246, 254


Rippin, Emily, 241-243, 244, 247-249, 267-268, 279, 280, 330


Rippin, James, 240-241, 242, 246, 247, 254


Rippin, Mrs. James (Helen Maude), 240-241, 242, 243, 246, 248, 259, 279, 379, 839


Rippin, Jessica, 24r, 242, 244, 245, 246-247, 249, 254, 259, 267, 33°


Rippin family, 240 ff., 250251, 254, 258-259, 263, 265, 279-280, 613


Ritchie, Loretta, 14-15


Ritz-Carlton Hotel (Boston), 893


\emph{Rivals, The,} 56


\emph{Road to Rome, The,} 654


\emph{Road to the Temple, The,} 309


Robards, Jason, 874, 947


Roberts, W. J., 164


Robertson, “Sparrow,” 712


Robeson, Paul, 450, 547, 550, 55i, 552, 554, 555, 556, 611, 761


Robespierre, Maximilien de, 847


Robinson, Lennox, 172, 526-527, 811


Robinson, Sawyer, 78


Rockefeller, John D., 91, 265


Rockefeller, John D., Jr., 618


Rockefeller family, 205


Rockmore, Robert, 642, 643-645, 656 657, 658 659, 710


Rogers, Will, 774


Roland, Frederick, 340


Romany Marie’s (N.Y.), 298, 299, 300-301, 320, 345-346, 361, 367


Roosevelt, Franklin, D., 813


Roosevelt, Theodore, 198199, 200, 201, 262263


\emph{Rape, The,} 157, 372, 375, 377, 378, 379-38o, 395, 539


Rosenthal, Herman “Beansy,” 173


Ross, Harold, 737


Poss, Ishbel, 731


Rossetti, Christina G., 895


Rothschild, Baron, 717


Rousseau, J. J., 84


\emph{Royal Box, The,} 103, 104


Royal Dramatic Theatre (Stockholm), 862


Royalton Hotel (N.Y.), 787-788


Royle, Selena


(Mrs. Earle Larimore), 777-778, 783


\emph{Rubaiyat,} 85


Rubin, Jane, 951 ff


Rumsey, John, 391


Runyon, Damon, 644


Russell, Bertrand, 283


Russell, Lillian, 94, 103104


Russell, Rosalind, 872


Rvskind, Morrie, 756


“Sailor Lad, The,” 863-864


Sailor’s Opera saloon, 152- i53


\emph{Saint,} \emph{The,} 563, 567


St. Aloysius Academy, 65


St. Ann’s Church (N.Y.), 38


Saint-Gaudens, Augustus, 406


Saint-Gaudens, Homer S., 406, 470-471


“St. James Infirmary,” 708


\emph{Saint} \emph{]oan,} 647, 874-875


St. John’s College and Preparatory School, 65, 7i


St. I ouis \emph{Post-Dispatch,} 426


St. Mary’s Academy (Notre


Dame, Ind.), 13, 26


Salem (Mass.) Hospital, 910, 911 ff.


Salinger, J. D., 843, 850,


\textsuperscript{8}!\textsuperscript{1}


\emph{Salome,} 109


\emph{Sdvation Nell,} 140, 264


Salvini, Tommaso, 27


S mmy (dog), 747-748, 75i


Samovar cafe (N.Y.), 324


\emph{Samson and Delilah,} 449,


. \textsuperscript{476} .


San Francisco, 31-32, 43.


44, 46-47


San Francisco \emph{News Letter,} 50 .


Sandburg, Carl, 283


Sandy, Sarah, 61, 64 \emph{1}


\emph{Saratoga,} 43


Sardi’s restaurant, 874


Sardou, Victorien, 391


Saroyan, William, 850-851, 856


\emph{Sattirday Evening Post,} 398, 488


\emph{Saturday Review of Litera}\emph{ture,} 811-812, 876


\emph{Saturday’s Children,} 654 Sayler, Oliver, 476, 480, 488, 489, 507, 508, 544, 560


Schenley Hotel (Pittsburgh), 773


Schnitzler, Arthur, 421, 567


Schopenhauer, Arthur, 88, 210, 353


Schriftgiesser, Karl, 873 Schwartz, Sam, 459, 554555


Scott, Adam, 202-203, 439


Scott, Arlene


(Mrs. Byram Fones), 206, 207, 208-209, 741


Scott, Maibelle, 205 ff., 237, 240, 248, 249, 265, 266, 741, 771


Scott, Thomas A., 206


Scott, Walter, 88 “Sea-Fever,” 890 \emph{Sea Gull, The,} 352


Sea Island, Ga., 756, 759 ff.


Sea Island Inn, 760


\emph{Sea-Mother’s Son,} 146, 671, 675, 679, 687


Seaman, Alfred, 42


Seattle, Wash., 806 ff.


Seattle \emph{Times, 806,} 808


\emph{Second Alan,} \emph{The,} 654


Second Story Club (New London), 89, 98, 124, 203, 204


“Second Thoughts on First


Nights,” 410, 662


Selwyn Theatre (N.Y.), 448


Sergeant, Elizabeth Shep- ley, 64, 75, 477, 488489, 599, 605, 611-


Sergeanf, Elizabeth


Shepley \emph{QCont.')} 612, 626, 627, 629, 632, 633, 655, 656, 708-709


\emph{Servitude,} 140, 250, 261 \emph{Seven Arts, The} (magazine), 328-329, 331, 356


Seymour, May Davenport, 786-787


Shakespeare, William, 5,


24, 27-31, 100, 112, 353, 381, 530, 571572, 647, 754, 813 Shanghai, 680-685 Shaw, George Bernard, 5, 104, 118, 119, 262, 318, 428-429, 463, 474'475, 5\textsuperscript{22}> 647, 652, 654, 750, 754, 79i, 798, 810, 899 Shay, Frank, 319-320, 395, 472, 567, 710, 730 Shay, Jim, 96 Shearer, Norma, 662, 761 Sheffield, Mrs. E. Chappell, 95


Sheldon, Edward, 140, 264, 273, 863


\emph{Shell-Shock,} 381 Shelton Hotel (Boston), \textsubscript{<r} 9\textsuperscript{2}9, 933,ff- "Shenandoah,” 150, 724, 749


Sheridan, Bessie, 93, 99, 434


Sheridan, Irene, 99 Sheridan, Phil, 99, 239, 532., 796


Sheridan, Richard Brinsley, 24


Sheridan family, 92-93, 43\textsuperscript{2}, 434. 500-501


Sherwin, Louis, 341 Sherwood, Robert, 155, 654, 785, 900


Shields, Arthur, 882, 883 Shipman, Sam, 315 Shubert, Lee, 674 “Silence,” 314 Sill’s Oyster Restaurant


(N.Y.), 731


\emph{Silver Cord, The,} 653 Simon, Bernard, 540, 541, 557-559


Simonson, Lee, 633, 645, 677, 687, 777, 781, 888


Sinclair, Arthur, 172


Sinclair, Upton, 810


Singer Sewing Machine


Co., 154


Sipes, Lester, 839-840


Sisk, Robert, 655-656, 658, 711, 712, 738, 776, 830


Skene, Don, 712, 713


Skinner, Richard Dana, 250, 782


Skolsky, Sidney, 621


Slevin, James, 109


Sloan, John, 283, 284


\emph{Smart Set, The} (magazine), 339, 340, 370, 374, 382, 534


Smith, Bessie, 708


Smith, Joe, 347, 381, 439, 657, 710


Smith, Joseph II, 201


Smith, Rita Creighton, 388


Smith, T. R,, 704, 731


\emph{Sniper, The,} 272-273, 325, 326, 357, 376


Snow, John, 906-907, 910 Snyder, Charles, 883, 884 \emph{So You’re Writing a Play!,} 799


Socialist party, 202


Socialist Press Club, 306


“Song in Chaos,” 846 “Song of Araby,” 249 Sothern, E H., 56, 104 “Speaking, to the Shade of


Dante, of Beatrices,” 266-267


Spengler, Oswald, 897


Speyer, James, 635


Spinoza, Baruch, 353


\emph{Spirit of the Times,} 49 Spithead, 624-625, 663, \textsuperscript{734}


\emph{Spook Sonata, The, xx,} 526, 536-537


\emph{Spring, The,} 492, 493


\emph{Springtime,} 141


\emph{Stage Is Set, The,} 687


Stalin, Joseph, 766


Stamberger, Wilhelmina, 230-23X


Standard Oil Co., 200


Stanislavsky, Constantin, 866


Stanley, Kim, 885


\emph{Statendam} (ship), 734


Steele, Wilbur Daniel, 304, 307- 3°9> 3io, 313, 5x5, 562


Steele, Mrs. Wilbur Daniel (Margaret), 515


Steffens, Lincoln, 262, 283, 766


Stein, Gertrude, 371


Stekel, Wilhelm, 542 Steloff, Frances, 257-258 Stetson, John, 47, 48, 49, 50, 53


Stevens Earl, 133, 134-137, 814-815, 820


Stevens, Mrs. Earl, 133, I34-I35- 136


Stewart, A. T., 35


Stirner, Max, 121, 124 Stoeckel, Herbert, 871 Stone, John Augustus, 23 Storm, \emph{The,} 405, 406, 412, 4i3


Stram, Cynthia, \emph{see} Chapman, Cynthia


\emph{Strange Interlude,} 86, 118, 155, 157, 291, 357, 368, 428, 589, 598, 609, 610-611, 616, 617, 618, 627, 628 ff., 642, 646 651, 654, 655, 657, 689, 693, 715, 742, 746, 753, 770, 786, 788 asides in, 628, 630 631, 632, 633, 648-650 and Brady, Alice, 649, 747, 75i casting of, 633, 649-650 controversy over, 674, 880, 885 movie version of, 662, 761, 858 opening of, 658-662 and plagiarism suit, 703- 704, 730-733


Pulitzer Prize for, 662, 674


Strasberg, Lee, 750 \emph{Straw, The,} 230, 231, 252, 378, 387, 39o, 398- 399, 421, 425-426, 427, 435, 441-442, 451, 452, 465-466, 470, 471, 485, 486, 491, 492, 507, 523, 619, 646, 836 background for, 225, 227, 228, 229, 235, 238, 382-383


casting for, 422-424, 465, 468, 483


opening of, 483-484


Strictland, Jennie, 207 Strindberg, August, 11, no, 233-234, 261, 313, 316, 340, 361, 497, 517-518, 520, 526, 537, 585, 593, 709, 73i, 754, 757, 814


\emph{Stronger, The,} 313


Stuart, William “Scotty,” 298, 319, 346, 366, 388, 460


“Submarine,” 321


Sullivan, Daniel, 215, 224, 430


Sullivan, Dennis, 299-300


Sullivan, John L., 91


Sullivan, Tim, 82, 182


\emph{Summer and Smoke,} 436- 437


Sumner, John S., 548


\emph{Suppressed Desires,} 306- 307, 308, 319


Sweet, Blanche, 482, 717


\emph{Sweet Seventeen,} 544


Swift, Dean, 21


Swift and Co., 153


Swinburne, Algernon, 85, 122, 359


Swope, Herbert Bayard, 658, 751


\emph{Swords,} 525


Symons, Arthur, 210


Synge, John M., 172


Taasinge, Hazel Neilson \emph{See} O’Neill, Mrs. Eugene (Carlotta)


Taft, William Howard, 201


Tairov, Alexander, 716


Tairov, Mrs. Alexander (Alice Koonen), 716- 7i7


\emph{Taking Chances,} 504


Tale \emph{of Possessors, Self-}


\emph{Dispossessed,} A, 804


\emph{Taming of the Shrew, The,} 525


“Tango,” 249


Tao House, 7, 822 ff.,


839 ff., 852, 853-854, 856, 857


Tarkington, Booth, 128, 141, 262, 370, 426


Taylor, Laurette, 390, 405, 416, 442


Tellegen Lou, 504


\emph{Temple of Pallas-Athenae, The,} 703-704, 73073b 732-733


\emph{Ten} \emph{Days that Shook the}


\emph{World,} 442-443


Tenderloin (N.Y.), 124


Terry, Ellen, 109


Thames Club, 96, 98


Thaw, Harry K., 98, 296


\emph{Theatre Arts} (magazine), 447, 879, 880


Theatre Guild, 470, 655, 689, 728, 740, 743, 750, 771, 830, 870, 884, 886, 931


and \emph{Ah, Wilderness!,} 768-769, 772


and \emph{Anna Christie,} 465, 487, 631


and \emph{Days Without End,} 768-769, 780


De Voto and, 812


and \emph{Dunnigan's}


\emph{Daughter,} 861


and \emph{Dynamo,} 677


and \emph{First Man,} 487-488


and \emph{Fountain,} 574, 575


and Hauptmann, 757 and \emph{Iceman Cometh,} 874, 876


and \emph{Marco Millions,} 631632, 639, 645-646, 654


and \emph{Moon for the Misbegotten,} 880, 885


and \emph{Mourning Becomes Electra,} 734, 736, 738, 747, 752


origins of, 304, 513


and Shaw, 428


and \emph{Strange Interhide,} 632-634, 639, 647, 660, 703, 730, 733


and \emph{They Knew What}


\emph{They Wanted,} 571


\emph{Theatre Magazine, 577,} 637. 934


\emph{Theatre of George Jean}


\emph{Nathan, The,} 636


Theatres des Arts (Paris),


\textsuperscript{715}


“There Was a Maid from Amsterdam,” 150


\emph{They} \emph{Knew What They}


\emph{Wanted,} 571, 575, 647


\emph{Thirst, 93,} 157, 250, 251, 252, 254, 266, 312- 3I3> 320, 323


\emph{Thirst} \emph{and Other One-Act Plays,} 257-258, 260


Thirty-ninth Street Theatre (N.Y.), 543


\emph{This Is My Best,} 594 \textsuperscript{1}


Thomas, Augustus, 257, 270-271, 272, 275, 340, 427, 482, 547, 548, 576


Thompson, Charles, 199 Thompson, Francis, 359, 360, 763


Thorne, Charles R., Jr., 36, 47-48


\emph{Three for Diana,} 375 \emph{Three Musketeers, The,} 102, 104, 105, 415


Throckmorton, Cleon, 445, 454, 494, 495


\emph{Thus Spake Zarathustra,} 121-122, 209-210, 275, 276, 564, 680681


\emph{Tia Mandra} (ship), 155 Tibbett, Lawrence, 725 \emph{Tickless Time,} 388 Tiffany and Co., 35 \emph{Tiger Rose,} 342


\emph{Till We Meet,} 375


\emph{Time} (magazine), 876, 922, 936 .


\emph{Time of Your Life, The,} 856


Times Square, 127-128 “Tis of Thee,” 345 “To a Wild Rose,” 347 “To Maibelle from a Recliner,” 237


"To the Dead Cardinal of Westminster,” 360


“To Winter,” 222


Tolstoi, Leo, 75, 383 “Tomorrow,” 166, 186 Toohey, John, 398, 399, 400, 451


Toscanini, Arturo, 644 \emph{Touch of the Poet, A,} 92, no, 140, 147, 541, 623, 793, 799, 800801, 803-804, 806, 823, 830, 844, 847, 854, 855, 856, 865, 870, 884-885, 886, 899, 922


\emph{Town Talk} (magazine), 374


Towse, J. Ranken, 409, 471> 479, 484, 498


Tracy, Spencer, 885 \emph{Traveling Salesman, The,} 143


Travers, Henry, 646


Tree, Herbert Beerbohm, 504


Tree \emph{Grows in Brooklyn, A,} 882


\emph{Tristram Shandy,} 610


Trudeau, Edward L., 227


Trullinger, Paul, 302


Trullinger, Mrs. Paul, \emph{see} Bryant, Louise


\emph{Trumpet, The,} 280


\emph{Trumpet Shall Sound, The,} 654


Trunk Pleasure, 151


Tuberculosis, 214-223, 224 ff.


Tucker, Benjamin R., 119, 120, 121, 124, 156


Tucker, John, 911


Tunney, Gene, 464, 638


Turkel, Pauline, 493, 494, 5i7


Twain, Mark, 189, 515


\emph{Two Men of Sandy Bar,} 36


\emph{Two Orphans, The,} 35, 106-1 O'


\emph{Two Sons, The,} 320


Tyler, George C., 174, 377, 400, 427, 430, 43' 439, 477, 478, 756, 761


and \emph{Chris Christopherson,} 396-397> 415-416, 418-422


and Coghlan, 103


and \emph{Count of Monte Cristo,} 451


and Ella, 60


and \emph{Emperor Jones,} 442


and Irish Players, 172 and James, 60, 103, 106, 141


and \emph{Joseph and His Brethren,} 240, 295


and Liebier \& Co., 103, 104, 282


and plays of Eugene, 254, 39o


and Russell, Lillian, 103104


and \emph{Straw,} 397-399, 421, 422-424, 425-426, 435, 441-442, 451, 452, 47b 484


Tynan, Brandon, 240, 254255, 256, 257, 264, \textsuperscript{2}95> 3\textsuperscript{22}> 3\textsuperscript{2}3> 49i


Ullman, Allen, 372-373, 669


Ullman, Mrs. Allen (Sarah), 669


Ullman, Eugene P., 370


Ullman, Mrs. Eugene P.


(Alice Woods), 400


\emph{Ultimo,} 32


\emph{Ulysses,} 475, 530, 730


Underwood, Edward, 548


Union Square (N.Y.), 35


Union Square Stock Co., 35, 39


Union Square Theatre (N.Y.), 32, 35, 36, 37, 39, 56


Unique Book Shop, 119, 120, 124, 156


United Artists, 761 “Unpopular War, The,” 328


Vail. Lawrence, 456


Vanderbilt, Gloria, 840


Vanderbilt Theatre (N.Y.), 476


Van Doren, Mark, 250, \textsuperscript{2}57> 854-855


Van Dyke, Henry, 114-115


Van Loon, Hendrik, 696


Van Vechten, Carl, 614,


650, 706-708, 711, 736, 737-738, 776, 829, 836, 852, 892


Van Vechten, Mrs. Carl, \emph{see} Marinoff, Fania


Van Volkenburg, Ellen, 493 \emph{Vanity Fair} (magazine), 229, 273, 501, 597598, 625, 658, 697


Varian, Nina, 43


\emph{Variety} (newspaper), 185, 718


\emph{Varying Shore, The,} 501


\emph{Verge, The,} 493


Villa Marguerite, 667


\emph{Virginius,} 142, 178, 179


\emph{Vogue} (magazine), 258, 416-417


\emph{Voice of the Mighty, The,} 109


\emph{Voodoo,} 550


Vorse, Mary Heaton, 303, 304, 307, 3i4, 345,


Vorse, Mary (Conf.) 363, 473, 7io, \textbf{\emph{729}}730


Vose, Don, 833


“Waiting at the Church,” 86


Walker, Jimmy, 614


Wallace, Tom, 284, 285, 347, 457-458


Wallack, Lester, 35, 46-47


Wallack’s Theatre (N.Y.), \textsuperscript{2}5, 35


Wallerstedt, Carl E., 821


Wallerstein, Alfred, 395396


Walsh, Nettie, 32, 33, 3941, 42, 70, 137, 392


Walsh (son of Nettie), 70


\textsuperscript{71} .


Walter, Arthur “Algie,” 77 Walter, Eugene, 128, 340 \emph{Wanderer, The,} 331, 338, 374, 49i


\emph{Warnings,} 157, 162, 250, 252, 254


Warren, James C., 173, 190 Washington Square Book


Shop, 305, 317, 319, 395


Washington Square Players, 275, 304-306, 308, 326, 340-341, 34\textsuperscript{2}> 373, 4i3, 4\textsuperscript{2}i, 513, 647


Watts, Richard, Jr., 593, 712, 713, 718, 719, 720, 770, 875


Weaver, John, 278-279 \emph{Web, The,} 126, 235, 250251, 252, 254, 381, 382


Weber, Carl Maria von, 321


Weber, Joe, 127


Webster, Charles, 175, 176, 182-183, 184-185, 414


Wedekind, Frank, 526 Weeks, Richard, 114, 115, 117, 860


Weinberger, Harry, 516, 667, 669 670, 684, 691, 697, 704, 710, 730-731, 738, 739, 742, 860


Weingarten, Shirlee (Mrs. Robert Lantz), 864-866, 872, 874, 887-888, 889-890, 892,


Weingarten, Shirlee


(Mrs. Robert Lantz), (Cent.)


893, 9i4, 9\textsuperscript{2}5'9\textsuperscript{2}6, 9\textsuperscript{2}9>931


Weissman, Philip, 538, 539 Welch, Mary, 880-882, 883 \emph{Welded,} 514-515, 519-521, 5\textsuperscript{22}> 534, 541, 547, 561, 592, 619, 626, 653, 73i, 7b\textsuperscript{2}, 763, 765, 781, 836


and Agnes, 517-519 casting of, 543-544 opening of, 544'545


Wellman, Rita, 344


Wells, H. G., 262


Welsh, Robert Gilbert, 409, 556


Welsh, Tom, 113-114 Welton, Jean, 935, 939, 94\textsuperscript{2}


Wentworth Hotel (N.Y.), 642, 655, 659, 663


Werfel, Franz, 652, 654 Wertheim, Maurice, 633


West Point Pleasant, N.J., 386-387, 694-695


Westley, Helen, 687


Westley, John, 423, 425,


483


Wharf Theatre


(Provincetown), 307 “What Do You See, Wan


One?,” 301


\emph{What D’You Want,} 456


\emph{What is Wrong with}


\emph{Marriage?,} 597


\emph{What Price Glory?,} 575 \emph{Where the Cross is Made,} 157, 381-382, 383, 384-386, 395, 398, 427, 428, 471 “Whiskey Johnny," 150, 166


White, Edward D., 432


White, Stanford, 56, 98, 296


White, William Allen, 576 White Hat club, 113-114 “White Night, The,” 301 \emph{White Sister, The,} 137,


140, 141-143, 144, 146


Whitehead, Robert, 886


887


Whitman, Walt, 328-329


Whitney, Harry Payne, 196


Whitney family, 97


\emph{Why Marry?, 426,} 508 \emph{Wife for a Life,} A, 134, 231-233, 239, 250, 254


Wigham, H. J., 196


Wilde, Oscar, 79, 85, 88, 109, 112, 119, 122, 153. 210


Wilder, Thornton, 5, 654


Willard, Jess, 438


Williams, Jesse Lynch, 426, 588


Williams, John D., 422, 477, 478


background of, 374-375 and \emph{Beyond the Horizon,} 374'375, 380, 383, 387, 389, 390, 39b 396, 397-398, 405- 406, 412, 413


and \emph{Gold,} 421, 451, 452, 465, 470, 47i


and \emph{Straw,} 397-398 Williams, Judge, 41-42 Williams, Malcolm, 616 Williams, Mrs. Malcolm, \emph{see} Reed, Florence


Williams, Ted, 463


Williams, Tennessee, 5,


327, 436-437, 877 Wilson, Earl, 842, 869 Wilson, Edmund, 454, 562, 567, 730


Wilson, Mrs. Edmund, \emph{see} Blair, Mary


Wilson, Harry Leon, 128 Wilson, Woodrow, 112, 117, 201, 262, 333, 442


Winchell, Walter, 877


Windsor, Duke of, 705


Winston, Norman, 642- 643, 655, 656, 657, 658, 673, 710


Winter, William, 104


\emph{Winter’s Night,} 308, 324


\emph{Winterset,} 802


Winther, Sophus Keith, 806, 807-808


Winthrop prize, 742


Wit \emph{and the Unconscious,} 600


\emph{Witching Hour, The,} 270- \textsuperscript{271}


\emph{Within the Gates,} 787, 788, 789-790


\emph{Without Ending of Days,} 675


\emph{Wizard of Oz, The,} 79


Wolfe, Thomas, 270


Wolheiin, Louis, 489-490, 492, 494-495, 504


\emph{Woman’s Honor,} 380 Woods, Alice, 370-371, 372, 400


Woodstock, N. Y., 900-904


Woodworth, Robert A., 198


Woolf, S. J., 749-750, 871


Woolf, Virginia, 661, 766 Woollcott, Alexander, 471, 544. 687


and \emph{All God’s Chillun,} 556


and \emph{Anna Christie,} 478- 479, 480, 481-482


and \emph{Beyond the Horizon,} 407, 408, 409-411, 413 and \emph{Chris Christopher}


\emph{son,} 422


and \emph{Diff'rent,} 454-455 and \emph{Emperor} \emph{Jones,} 447 and \emph{First Man,} 496-497 and \emph{Fountain,} 591 and \emph{Great God Brown,}


593


and \emph{Hairy Ape,} 499


and \emph{Marco Millions,} 654 and \emph{Strange Interlude,} 658-659, 662


and \emph{Straw,} 484


and \emph{Welded,} 545


Woolsey, John M., 730-733


WPA theatre projects, 812- 813, 820


WPA Writers Program, 834


Wycherly, Margaret, 550


Wylie, Elinor, 611


Wylie, Francis "Jeff,” 922, 928, 936-937


Wylie, Mrs. Francis, 928


Yale collection of O’Neill, 757


Yale University, 280, 603- 604, 605, 757, 855, 867


Yale University Library, 879. 954


Yale University Press, 862, 946


Yale University Theatre, 604


Yeats, William Butler, 172, 527, 784, 811


\emph{Yeomen of the Guard, The,} 56


Yiddish Art Theatre, 449


Young, Art, 283


Young, Bessie, 206


Young, Frances, 207, 218


Young, Roland, 525


Young, Stark, 541, 542, 543'544, 562, 567, 570-571, 59°, 592, 7°4, 830


Young family, 206-207, 218, 242


\emph{Zack,} 375


Zangwill, Israel, 140


Ziegfeld, Florenz, 128, 129, 342, 620


Zimmerman, Al, 113-114 Zion, N. J., 129-130, 133 Zola, Emile, 88, 119 Zolotow, Sam, 829 Zorach, William, 304, 313, 323-324, 439


Zorach, Mrs. William (Marguerite), 304, 313, 323-324, 439


Zukor, Adolph, 214









% begin final page

\clearpage



% new page for the colophon

\thispagestyle{empty}

\begin{center}



\smallskip
A critique of his ideas \& actions.



\bigskip
\includegraphics[width=0.25\textwidth]{tedk.pdf}
\bigskip

\end{center}

\strut

\vfill

\begin{center}




Eugene O'Neill's Life and Works



7\Slash{}26\Slash{}95


\bigskip


<\href{https://harbor.klnpa.org/california/islandora/object/cali\%3A1216}{https:\Slash{}\Slash{}harbor.klnpa.org\Slash{}california\Slash{}islandora\Slash{}object\Slash{}cali\%3A1216}>
   

       

       
         An overview of playwright Eugene O'Neill's life and works; lists possible correlations\Slash{}topics of speculation between him and the Unabomber.
       

       

       

       

       

   



\bigskip
\textbf{www.thetedkarchive.com}


\end{center}

% end final page with colophon


% end closing pages



\end{document}


% No format ID passed.



